Down by the River | PT.I | 35:Chronicle

black & white, infrared, photography, waterscape

The Nith | As Peaceful as it Gets.


Before I dash off to work for the night, I just wish to share a few frames, snagged on a gorgeous New Year’s Day during a walk through Dumfries. These images were taken during the same meander as those published in my previous post, but having a little bit of OCD – I like to keep things grouped, somewhat. (I really should get out of this habit!) I really hope you’ll enjoy these and, I wish you all a fabulous weekend.

R.

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I | Devorgilla Bridge | 50mm | 720nm Infrared. 

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II | Weir | 35mm.

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III | At Nunholm | 50mm | 720nm Infrared.

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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

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Snowdrops | 35mm.

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Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

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Talla Reservoir | 760nm Infrared | 28mm.

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

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How the Other Half Live | 720nm Infrared | 35mm.

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

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Grandeur | 35mm.

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Happy New Year 2019, to You All!

R.


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Symmetry | PT.I | 35:Chronicle

black & white, colour, infrared, landscape, nature, photography, skies, structures, waterscape

It’s Personal.


Sometimes, when I am looking at new compositions and also, reviewing past images, I come across a simple idea that quite clearly formed the basis of those overall images in question. In fact, I can recall many occasions where I have actively looked for it and done my best to use it. Yet, though I have looked for symmetry so often in my compositions, I have never actually questioned myself as to why I do so.

Sticking to rules is not what I am best at – but some rules of photography can’t (rather, shouldn’t) be ignored. Clearly, composition is a highly key element in any photograph and, though none of us get it perfectly right all of the time, it has to be the mainstay of any serious photographer along with other obvious key elements. So why is symmetry such a valuable compositional tool and what does it say about us when we use it? 

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I.

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II.

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Symmetry can be used either vertically, horizontally or, more trickily, diagonally. In the main, it’s usually portrayed in 50/50 form rather than thirds (where symmetry would be a less accurate way of describing it than say, for example, repetition). Personally speaking, I love symmetry in composition for a few reasons: 

  • Composition of a strong or interesting subject can be made much more simply at the most appropriate FL.
  • It is highly probably that on viewing, the eye will be naturally drawn to this element, and therefore, the image may tend to ‘de-clutter’ itself.
  • It’s an excellent framing tool for creating isolation of a subject. 

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III.

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IV.

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Personally, I have a natural propensity to like things in order and I don’t enjoy chaos – certainly not in the images I make. This is applicable though, to most areas of my life because, my life is tended by this person with this personality or, hang-ups – and this cannot change without a life-changing episode. Nevertheless, I know that areas of my personality (or, persinility, perhaps?) are the reasons why I see how I do when I look to make a photograph. In a similar way, certain personality traits may compel one to create in vibrant colour, or say, use repeatedly similar subject matter. Yes, I think it is entirely personal, way beyond the rules – but then, no art can be anything but, can it?

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Views from a Ridge | Infrared | PT.I | 35:Chronicle

28mm, black & white, faux-colour, infrared, landscape, photography, waterscape

Talla & Megget.


We’ve all been there; you get all keyed up as a result of some half-awake, impossible-to-ignore inspiration to go out and make photographs for the entire day and, even before you have wiped the sleep from your eyes and  headed for the shower, (even though the BBC Weather app has predicted sun and very little cover that day) the clouds roll in, and before you know it, they’ve also unloaded their picnic baskets and laid down their blankets, for a day of it. Bugger. (When you’re intending on shooting for infrared, this is not the best of conditions). Still, you get ready, pack your gear in the car and, head off in salubrious hope that conditions will in fact improve. (They don’t.) Before you know it, you are over 30 miles from home, more than 15 miles along a single-track road, dodging sheep at 15 mph (if you’re lucky) and because you’re still full of that waking, resolute determination to find something, anything to shoot before you head home again, you’re a long way past the point of no return both on the road and, in your head. Then, out of the grey (that should be blue, but you can’t always have everything, can you?) you find yourself approaching scenes like these. Scenes that inspire, no matter what the elements deliver.

After I had cussed the clouds, I realised that I had simply decided to get inspired on a less than perfect day for my intentions. But we revolve around the elements; it’s never the other way around. Best to understand that and, get on with it. Or not. I chose the former.

It wasn’t such an imperfect day after all.

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Talla Reservoir  & Farm | 28mm 760nm Infrared.

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Megget Water (To the East, from the Dam, towards St.Mary’s Loch) | 28mm 760nm Infrared.

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Megget Water | Looking West, from the Dam | 28mm 760nm Faux-Colour Infrared.

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07th August 2018: See Take: 2 for the re-shoot under near-perfect weather conditions.

All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com Thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
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Harbouring Light | Infrared | 35:Chronicle

35mm, black & white, boats, infrared, photography, skies, waterscape

Downtime at the Waterside | 35mm / 720nm IR


I.

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II.

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III.

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Thank you.

Either Side of the Day | 35:Chronicle

35mm, colour, landscape, photography, skies, sunrise, sunset, waterscape

Shades of Blue & Gold.


To the East.

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To the West | I.

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To the West | II.

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Thank you.

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Current Alternate | 35:Chronicle

35mm, black & white, colour, nature, photography, spring, sunset, trees, waterscape

Ups & Downs.


Intending to head out and catch the sunset over the water – hoping for its often noted millpond stillness, I found myself a tad disappointed on arrival. Though not choppy, there was just too much movement on the surface this evening and, though the sunset was utterly beautiful, I found that the calming of the waters just wasn’t worth the wait. After an hour, loss of light and, several insect bites, I gave it up for the night; but, not before making a few frames. (I’m easily consoled.)

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I.
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II.
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III.
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IV.
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Thank you.

Infrared Lucidity | 35:Chronicle

35mm, black & white, infrared, landscape, nature, photography, spring, summer, trees, waterscape

Monochrome Waterscaping | 720nm Infrared.


I. From a Bridge:

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II. To a Bridge:

35Chronicle.017 (2)720nm IR | 35mm

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Thank you.

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To the Trees | PT.I | 35:Chronicle

35mm, black & white, faux-colour, infrared, landscape, nature, photography, trees, waterscape, winter

An Ode to the Giants


When photographing a landscape, it’s impossible to get away from them and, thank heavens for this. They are the true giants of the land; not only this –  they are the protectors, the meeting places and the homes of a myriad of different species of insects, birds and mammals. Trees, while often undervalued and ignored by many, play not only a vital role as part of nature’s grand design, but they shape our land and, our skies. All of these truths are fairly rudimentary and obvious, however, I wonder how many of us truly, truly appreciate their value?

For as long as I’ve being photographing, I’ve been drawn to the trees. Such a uniformly natural and perfunctory design, largely very similar if not always in shape, colour or dimensions, and it has always been a challenge for me to photograph them in a variety of ways, using not only the same technique or approach each time I frame and expose. Realising in photographic form their stature, their place and importance within a scene, their mimicry or even how they fit inside such a scene, is much more difficult than I used to think it was. It does take some work and, often a lot of thought. Therefore, what this post is intended to be – is an ode, an appreciation of a genus much taken for granted. I hope to have portrayed such with at least some degree of justice.

For the so many times I have scrumped in, climbed up, picnicked under, carved my initials into, swung from, and yes, even made love below the shading boughs of – this is my knowing and sincerely appreciative nod, to the trees. 

We thank you, wholeheartedly.


Inside-Out | 720nm Infrared

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Swan Lake [I Just Couldn’t Resist, I’m Sorry!] | 720nm Infrared

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The Braves

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General Cluster | 720nm Infrared

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Travelling Light | 35:Chronicle

35mm, black & white, colour, infrared, landscape, nature, photography, sunset, waterscape

Welcome Along…


Across the Bay.

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 720 Reflections.

35Chronicle.001 (54)1/750th | f8.0 | ISO 200 | 720nm IR

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