Inside Thirlstane Arch | PT.II of II | 35:Chronicle

35mm, black & white, infrared, personal, photography

Overseeing? | Internal Dialogue.


Eddie Van Halen once answered (while being interviewed for a famous rock magazine in the 80s) a question as to his playing style, most specifically, his soloing techniques. As I recall, he explained that when he constructs solos – he likened it to “falling helplessly down a long staircase but landing on my feet”. The reason I mention this, is because though I imagined this post to just be another few images of what some might see as ‘just another rock’, I have ended up writing… stuff. A ramble, if you like. I just hope that by the end of it, I also land on mine; and though I have little sense of thought-structure right now, the top of the staircase is in full and daunting view and, I am left feeling as though my shoes are on the wrong way round, laces untied.

*
IV | 35mm – 720nm Infrared.

35chronicle.123 (1)

*

When it comes to a scene, where compositional possibilities are somewhat limited (either by subject, angle, light or, our own abilities) what would be the point in taking  just one or two frames and walking away? If a scene makes me buzz, I hang around – explore it, and keep shooting. Not for the sake of it, though. There’s nothing more tedious than going through the editing process later, and knowing that 75% of my frames are destined for the bin before I’ve even begun looking  at them. Spray and pray? Not my style, at all. So, purposeful engagement with a pleasing subject, loaded with potential compositional snaggery (I don’t believe this is actually a word but, it works for me) can often be beautifully rewarding. Impatience has no place here. Instead, time, exploration, looking, seeing and the changing of shooting techniques (and yes, different wavelengths too) – are all keys to finding a different view of what, on first appearance to the human eye, might have been quite – normal. Unremarkable, even. Like a rock, perhaps.

Without direction, by perhaps explaining just why, what or how I saw or appreciated any given composition, I prefer instead to not influence a pattern of thought in a viewer and allow elements to come to the fore – or not, for that person. As you are reading this too, for you. Should not the very initial dialogue between the image and the seer, be internal? Seeing is a very personal thing, isn’t it? Whether you might (or, not) see what I see, or saw – is of little consequence to me personally and though this probably sounds dismissive, arrogant, cold or selfish, even, this would be as far from the truth of it as the stars must be. The freedom to perceive is the right of one and, the only wish I have is that you’ll enjoy even some of my frames, in whatever ways you see them. When someone, anyone, says to me that something I have seen resonated with them also has to be the biggest compliments I can imagine, and yet, often, I will hear or read words suggesting that something that I didn’t see – did the same thing. And so I keep learning to ‘see’ more effectively. By listening, too, I learn to look. The reason I mention any of this comes from my own internal dialogues of late; the ones that ask me to answer questions – begging answers in explanation as to why I do this in this first place. 

*
V | 35mm – VIS.

35chronicle.123 (3)

*

Before I attempt to answer my own question(s) I must explain though, as the idea for this particular post seemed to be a natural sequel to my previous, my first few frames from Thirlstane, there were to be no paragraphs, no sentences, no stringing together of words – at all. I figured that all that I wanted to say was already written in PT.I. The introduction and the conclusion. Still, as others have also poignantly written, sometimes the words come when we least expected them to and, other times, we ache to write something, stare at a blank screen and poke our brains for what feels like mini-aeons, and – nothing comes out from the fingertips. Whatever the intention, the reality of creativity seems to seek itself out and, as a conduit for whatever is or isn’t inside us, we do or we just – don’t. I think it’s as simple as that.

Conscious creativity seems to me, the very hardest part of making images. I don’t know if I’m answering my own questions but the nearest I can get to concluding why I shoot, think and continue to explore photography is the simple knowledge that I do not believe I’ve made all that I can make. I haven’t seen my best photograph because I haven’t made it yet. I haven’t explored the full possibilities of what my own limitations will allow me to see and make, with light and shadow. Though I search, sometimes painfully consciously for creativity, it seems to me that when I just relax with it, don’t push myself to make anything happen, instead just capturing what I see, trusting what I do know and being relaxed with variables – even by accident and not even thinking about every single element, I find ridiculous amounts of enjoyment in seeing a moment; and then, feeling the camera in my hand, stealing it.

*
VI | 35mm – VIS.

35chronicle.123 (2)

*

Not for recognition, not for the struggle or competition, not for anything else except the pure enjoyment, the passion, the constant pre-excitation – for discoveries; and, being able to share it. What is a picture without anyone there to look inside it?  

Perhaps I’ve just landed? Only you know the answer to that one.

R.

[Frames V & VI: X100T | Frame IV: X100 720nm Conversion]
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*
Advertisements

Inside Thirlstane Arch | PT.I of II | 35:Chronicle

35mm, black & white, infrared, photography

On Being Prepared.


Barely a few miles from our county’s popular resort of Southerness is situated the picturesque inlet and beach of Powillimount (pron: po-wil-i-mont). I’d never heard of it (despite having lived around here for almost twenty years). The weather wasn’t great, but the kids (who had been before) wanted to go back and find the ‘cave’, again. Me? I was going because I was promised a delicious fish ‘n’ chips with curry sauce, afterwards. It was a grey day, chilly, with the sun making only fleeting appearances between larger cloud-pockets. Nonetheless, I took cameras for both visible and infrared opportunities – should they have arisen. It’s impossible to know beforehand. I remember, before moving to Scotland, being told that if going out for a whole day in shorts, that I should also take an overcoat; and if it’s raining when heading out, not to forget my Factor 30. It’s kind of true – and I’m grateful for that. On arrival, rather than walk the beach, we headed straight for the ‘cave’, just a few minutes walk away. As it turns out, the ‘cave’ happens to be the Thirlstane; rather  popular for climbers and, clamberers alike – and, photographers, too. Goodie!

*
I. | 35mm -VIS.

35chronicle.122 (1)

*

While the boys clambered or kicked the football on the beach, hunted for ‘fossils’ or swirled sticks in low-tide rock-pools, A and I sat and took in the view out across the Solway towards a hazy Cumbrian coastline, and the peace (between childish cries of discovery, astonishment, self-congratulation, or any of the frequent, “Watch this!” moments. The whole time, as we chatted, I kept my eyes open, for light; and after the best part of an hour, it arrived. Sliding my backside off a low rock, I took a wander around and, made a few frames. The Arch itself however, was the only part I could consider worthy of photographic appreciation, so, I concentrated here. 

*
II. | 35mm – 720nm Infrared.

35chronicle.122 (2)

*

Shooting both visible light and at 720nm renders  light so wonderfully differently and though both set-ups have their own characteristics, I will always have a preference for IR for conducive subjects under suitable light, to visible-light. However – on days like this, having a small collection of the same scenes photographed using both bands of wavelengths, lends to the eyes an absolutely gorgeous comparison which I am hopeful (yet, also certain) upon review, of not actually needing to explain.

*
III. | 35mm – VIS.

35chronicle.122 (3)

*

Getting an exposure balanced just right is tricky when the difference between shade and light is so great, still, I am very happy with these few frames and, I do hope you’ll have enjoyed this first instalment.

R.

[Frames I & III: X100T | Frame II: X100 720nm Conversion]
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

In the Still of the Light | PT.IV | 720nm IR | 35:Chronicle

black & white, infrared, photography, ruins

The Ruin at the Cross | Finale.


Having had the pleasure of trying out my new GR conversion last week, I now have the pleasure of sharing with you the last two infrared frames, bagged during my saunter around the old church at the Cross, not far from my home. I have always enjoyed how the GR allows me to reproduce texture, contrast and visual detail (though, ironically perhaps, I care little for actual sharpness) especially as I shoot almost exclusively for black and white and, having this second GR in my bag (or occasionally, my pocket) really does extend potentials for  light-weight, no-fuss photography  – both for visible-light captures and for alternative wavelengths. 

I hope that these frames are as pleasing to your eye, as they are to mine. (Roll on, spring).

R.

*
V.

35chronicle.120 (1)

*
VI.

35chronicle.120 (2)

*
(Both images photographed with a 450nm internally converted Ricoh GR, + front-mounted Hoya R72 IR filter.) 

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

In the Still of the Light | PT.III | 720nm IR | 35:Chronicle

black & white, infrared, photography, ruins

The Ruin at the Cross | PT.II.


*
III.

35chronicle.119 (1)

*
IV.

35chronicle.119 (2)

*

(Both images photographed with a 450nm internally converted Ricoh GR, + front-mounted Hoya R72 IR filter.) 


*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

In the Still of the Light | PT.II | 720nm Infrared | 35:Chronicle

black & white, infrared, photography, ruins, structures

The Ruin at the Cross | PT.I.


These two frames are a taster of perhaps a few more to come, from a nearby church ruin. The fact that this single-storey derelict has its windows boarded-up is a little bit of a mystery to me and, a slight disappointment as it does rather mean that I can’t use those wonderful apertures as any kind of focal-point in any of my pictures. On the other hand, I am forced to put in more effort in my search for pleasing angles and views, and on such a day, I couldn’t think of anything better to do, than just that. 

(Both images photographed with a 450nm internally converted Ricoh GR, + front-mounted Hoya R72 IR filter at 28mm.) 

*
I.

35chronicle.118 (1)

*
II.

35chronicle.118 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

 

First Shot from Ricoh GR 450nm Conversion | 715nm Infrared | 35:Chronicle

35mm, black & white, infrared, photography, urban

Decisions, Decisions.


If you’re not interested in camera gear or those of us who harp on about it from time to time, you may want to switch the channel. Still, I’m not going to write a huge spiel here – not yet; there’ll be plenty of time for that, I know. However, what I will say is that last week, I received my latest alternative-wavelength conversion, in the form of my ol’ Ricoh GR. It’s had it’s internal IR-blocking filter removed, and that in turn has been replaced with 450nm glass, allowing me to shoot some lovely, detailed split-spectrum black and whites which will also absorb IR wavelengths under bright, outdoor light along with visible light above the 450nm threshold. Obviously, the the first reason I wanted this is because it’ll allow me to use IR filters of different wavelengths and, I can shoot it alongside my standard GR too without the need for a bag. My pair of Fujis need the bag but these two fit right in my jacket pockets without any fuss at all.  Insosaying, I took the bike out today, two GRs barely noticeable in the lower pockets of my jacket, and went for a leisurely spin. Those shots will come – but this one, was the first frame I bagged a few days ago (shot with a variable IR Gradient filter set to around 715nm, on the front element). 

The resolving power of this thing is just nuts despite the fact that this was shot using the GRs slightly lower resolution 35mm internal crop mode (in order to avoid vignetting from the hood). Though I have yet to compare its output with my 720nm converted X100 – for what I need, I know already it’s going to be impossible to have a preference. 

If you’re a fan of black and white IR, I hope you’ll appreciate this one. Experiment, play, repeat.

(A.V – thank you, my friend. It’s perfect!)

R.

*
Peek-a-Boo | 35mm | 715nm Infrared.

IR000661

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Views from a Ridge | PT.IV | 35:Chronicle

28mm, black & white, infrared, landscape, photography

Portrait of Talla. 

*
Small Beginnings | 28mm – 760nm Infrared.

35chronicle.115

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

Once Upon Us – Time | 720nm IR | 35:Chronicle

black & white, boats, infrared, photography

Rusted, Weathered & Rudderless.


*
I.

35chronicle.111 (1)

*
II.

35chronicle.111 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Fujifilm X100 720nm IR Conversion | First Outing | 35:Chronicle

35mm, black & white, infrared, photography

‘X’ Hits the Spot.


To begin, this isn’t a review. I dare say there will be thousands of them out there for the basic / standard camera anyway so what would be the point? But if you enjoy IR photography and have ever wondered if a a great fixed-lens, single focal-length camera is worth converting, I may be able to persuade you. Please bear with me.

*
I | 35mm | 1/170th – F8 – ISO320 | 720nm IR.

35chronicle.109 (1)

*

Okee-dokee – this might seem like a bonkers time of year to try out a new IR set-up and, you’d be forgiven for believing so. Winter infrared photography was something that I never really considered either, until recently which, in itself, is completely barmy seeing as how I have been shooting IR for over twelve years now. One might be forgiven for asking me (rather sternly, I might add) what the heck I’ve been playing at? Still, I have discovered the joys of shooting infrared all year round and, it’s a knowledge that I am utterly delighted to have. Naturally, (after the brightness of the spring and summer months here in the Northern Hemisphere) during autumn, after deciduous trees lose their leaves, hunting for interesting, engaging rural scenes and subjects with any kind of visual impact under infrared wavelengths can sometimes be a little tricky, however, ignore the stereotyping for this kind of alternative wavelength photography and it’s not difficult to see that with good, undiffused sunlight and an interesting subject – there’s no time of year that renders IR photography a pointless pursuit. It merely requires a change of outlook and, not a lot else. [View post #101 for an example – caught on New Year’s day.]

For around eight years now, I have been a Fuji-X shooter. I can’t say that I have been exclusive to this system during this time but, there have been very few months over this period (comparably) where I’ve not had one in my bag or more importantly, in front of my leading-eye. Another favourite system of mine over this entire time has also been Ricoh’s GXR (APS-C) system . Both outfits in their various guises have served me terrifically in not only visible light photography but also for IR and full-spectrum. The GXR has been a mainstay for me in alternative wavelength shooting and without my good friend, The Doctor, down in Guildford, I’d have known none of these systems. Every single conversion I’ve ever wanted, he has patiently created for me and I can take nothing away from him when it comes to my own enjoyment of the genre. However, the bag was getting heavier (again) and like most photographers, I needed to ‘spring-clean’ my gear and, rethink. That’s when I asked my good friend, once more, if he might create what was to become one of my personal Holy Trinity of cameras. Of course, because I am writing this, you know already that he came through, in style.

*
II | 35mm | 1/180th – F8 – ISO320 | 720nm IR.

35chronicle.109 (4)

*

The only X100 model that I’ve not owned / shot with is the ‘F’. Sure, I wanted one but I’m not the kind of chap to always want the newest sensor, hardware – anything, really. I desire a certain kind of output (most usually for black and white) and this is why I have stuck with Ricoh for so, so long. (Out of interest, if indeed you are interested, another of my Trinity happens to be my GR (1st APS-C model) for this very reason – as well as a few other important ones, too). As the X100 line evolved, so did the X-Trans sensor and, no matter how much I liked future iterations of that sensor, I could never get away from the fact that the first iteration was, for me anyway, more organic in output. I don’t give a monkey’s **** about MP – just show me some output-quality and good all-round performance and I’ll be on my knees, but while the first model in this line was a little less refined, hardware-wise, when I was thinking about a dedicated 35mm FoV IR conversion, I couldn’t think of any other camera that would or could fit the bill better than this one. I couldn’t imagine, after a couple of years using and experiencing the files from the ‘S’ too, that either that or the ‘T’ would come close to the rendering of the first, under IR light. There were issues with the latter two’s sensors in my opinion. There were other, practical reasons also for sticking with the line.

*
III | 35mm | 1/340th – F8 – ISO320 | 720nm IR.

35chronicle.109 (3)

*

For a start, it uses the same batteries (predictably) as my main 35mm FoV squeeze, the X100T. It weighs about the same and, whilst the button layouts are a tad different, I can interchange pretty quickly between the two of them without having to take my eye away from the viewfinder. I’ve used both of them for more than long enough to know them pretty well and, as I found out today, using them in unison on the same shoots, is a breeze. Also, they weigh so little as to render them perfect for that kind of caper. Naturally, all the accessories and filters are interchangeable too; (I don’t use many but, it’s an obvious bonus). 

Over a fortnight had passed after I received my X100 IR conversion and with work commitments and poor light on free days keeping me back, today was a true gift.  To say that I have been itching to get out and play with it is a veritable understatement. I also know that there are others who read my pages and sometimes contact me on the subject too, who may also be interested in what or how I shoot or process. I have been a little lazy on the subjects of techniques, I know – and I guess I have always figured that there are so many photographers who like to pass on that kind of knowledge that perhaps the world doesn’t need yet another one; besides, everyone  finds their own path eventually, either by investigation, tuition or, dogged experimentation (or as I call it, constant faffing around with my equipment – ahem!) That is not to say that I am not happy to help or join anyone who wishes to learn or share information – insomuch as my experience may allow, so please, do feel free to drop me a line or a comment if you wish. 

*
IV | 35mm | 1/180th – F8 – ISO320 | 720nm IR.

35chronicle.109 (2)

*

Clearly, I have not yet explored the possibilities of this new conversion, spring is a while away yet, but I can honestly say that if these few frames, taken just an hour before the Golden Hour on a cold, sunny, winter’s day in Kippford are anything to go by, it’s going to be another very enjoyable year in photography. Thank you for reading, thank you, Amar (again!) and, I hope you’ll all enjoy these few inaugural frames. (Please click the infrared tag for other IR posts, if you’re interested.)

R.

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

 

A Stop-Gap, Perhaps? | 760 & 715nm Infrared | 35:Chronicle

black & white, infrared, landscape, photography

Either Side of 35.


As I am now on the verge (pardon the pun, please?) of re-commencing my photographic passions with entirely different systems, both of which feature fixed 35mm (FoV) lenses, I thought it might be nice to reflect a little on the two IR systems that I enjoyed last year. Both of them are either side of 35 and, of different wavelengths to the 720nm I will from here-on, be concentrating – and, my anticipation of getting back out there is again heightened by such reflection. 

These few frames were taken around Megget Water; either of, from or, towards Megget Dam, (not far from St. Mary’s Loch) in South West Scotland – during July of last year. Most frames that I had posted of Megget last year concentrated mainly on the reservoir itself, but there are clearly other views. I simply cannot wait to go back in the spring. I might even remember to pack my heaviest tripod and a Big-Stopper, next time! 

R.

*
I | From | 28mm | 760nm Infrared.

35chronicle.106 (1)

*
II | Towards | 50mm | 715nm Infrared.

35chronicle.106 (2)

*
III | Of | 28mm | 760nm Infrared.

35chronicle.106 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

In-Spired-Out | 35:Chronicle

black & white, infrared, photography, structures

We Are, Therefore, We Create.


*
I | Scott Monument – Princes Street, Edinburgh | 28mm – 1/125th – f4.2 – ISO: 259.

35chronicle.105 (1)

*
II | Spire of St. Theresa’s [II: VIS] – Dumfries | 35mm – 1/220th – f5.6 – ISO:200.

35chronicle.105 (2)

*
III | Greyfriars [II] | 720nm IR | 24mm – 1/125th – f7.6 – ISO: 336.

35chronicle.105 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Land-Escapery | PT.IV | 35:Chronicle

infrared, landscape, photography

Onwards | 720nm Infrared.

The second day of this year was as beautiful as the first and, it would have been impossible for me to have remained indoors. Little did I know at the time though, that these images would be among the very last that I would capture using my faithful GXR systems – the lenses and alternative wavelength conversions that I have been using for the last six or seven years, at least. But I have decided upon two courses of action for this year. I want to lighten my bag and, I want to take things back to what I initially intended these pages to share my enjoyment of. The 35mm FoV, to be succinct. 

I have enjoyed, very much, not limiting myself to one field of view, but on the other hand, I don’t feel that I have learned much either by allowing myself such leeway and, I am beginning to crave limitation again; and to push myself further. I’ll still be shooting IR (try to stop me!) but will concentrate on 720nm, along with my visible-light set-up. New year, new tool-set, as my good friend put it. I know there’ll be frames I’ll miss, but, no matter what FL lens is mounted, there always will be. So, for this year, I’m scaling back in order to move forward. 

Onwards.

R.

*
I | A Kind of Crossroad? | 720nm IR.

35chronicle.104 (1)

*
II | On a Breeze | 720nm IR.

35chronicle.104 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Down by the River | PT.I | 35:Chronicle

black & white, infrared, photography, waterscape

The Nith | As Peaceful as it Gets.


Before I dash off to work for the night, I just wish to share a few frames, snagged on a gorgeous New Year’s Day during a walk through Dumfries. These images were taken during the same meander as those published in my previous post, but having a little bit of OCD – I like to keep things grouped, somewhat. (I really should get out of this habit!) I really hope you’ll enjoy these and, I wish you all a fabulous weekend.

R.

*
I | Devorgilla Bridge | 50mm | 720nm Infrared. 

35chronicle.102 (1)

*
II | Weir | 35mm.

35chronicle.102 (2)

*
III | At Nunholm | 50mm | 720nm Infrared.

35chronicle.102 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

A Different Light | PT.II | 720nm Infrared | 35:Chronicle

black & white, infrared, photography, structures

Resolution.


For over an hour I have been sitting at my laptop, reviewing recently processed images that I was able to capture during a leisurely walk around Dumfries on what was a beautifully sunny day, under the clearest, bluest sky. As  my tummy rumbles, my choices become even more difficult as I now find myself distracted by the whiff of lunch emanating from the kitchen. But it can wait – I’ve decided, but it hasn’t been an easy choice. You see, I’ve lived here for almost twenty years now and, almost all of my photo-excursions (the landscapes, anyway) have had me concentrate heavily on rural scenes and views, making the most from infrared light wherever possible and insosaying, I have never, ever – in all of my time here, wandered through or around the town with my cameras. Though I had them with me, my only wish for such a beautiful day was that I might snag a few IR frames along the River Nith, after which, on approaching the town in search of at least one cafe with an ‘Open’ sign (which was more difficult than I thought it would be), I wasn’t thinking about making any more images at all, just… hot chocolate.

*
I | The Venue Nightclub Building | 720nm IR | 24mm | 1/125th | f8 | ISO: 835.

35chronicle.101 (1)

*

Nevertheless, leaving the riverside and heading into town, my ever scanning eye became increasingly keen as my recent fascination and enjoyment of strong structures again came to the fore and against such a deep blue backdrop, it was impossible to ignore these few frames-to-be. For colour enthusiasts I make no apology; I am delighted to share these captures of a place I know so well and yet, until now, have never seen quite like this. I take this as stark reminder to keep my eyes and, my mind open – especially to all that is right in front of me; that which I see almost every day – and don’t even notice. Of course, this applies to life just as it does to photography. A new resolution, perhaps?

To all of you who read, follow, click  or comment – I thank you and, wish you a very happy and prosperous 2019. I hope you’ll enjoy these few frames.

R.

*
II | Spire of St. Theresa’s | 720nm IR | 35mm | 125th | f6.7 | ISO: 308.

35chronicle.101 (2)

*
III | Greyfriars | 720nm IR | 24mm | 1/125th | f8 | ISO: 283.
35chronicle.101 (3)
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

*
Snowdrops | 35mm.

35Chronicle.001 (31)

*

Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

35chronicle.037

*
Double-Masted | 720nm Infrared | 35mm.

35Chronicle.008 (2)

*
Bluebell | 35mm.

35Chronicle.012 (2)

*
Broom | 35mm.

35chronicle.029 (4)

*
Milkbank House Ruins | 760nm Infrared | 28mm.

35chronicle.042 (4)

*
Talla Reservoir | 760nm Infrared | 28mm.

35chronicle.057

*
Talla’s Monitoring Station | 720nm Infrared | 50mm.

35chronicle.062 (3)

*
How the Other Half Live | 720nm Infrared | 35mm.

35chronicle.079 (2)

*
Sir Duncan Rice Library | University of Aberdeen | 28mm.

35chronicle.087 (1)

*
Moonrise | 720nm Infrared | 85mm.

35chronicle.074 (1)

*

Grandeur | 35mm.

35chronicle.099 (2)

*

Happy New Year 2019, to You All!

R.


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*