Closer Still(s) | PT.XVII | Orchid [Colour PT.II] | 35:Chronicle

close-up, colour, macro, nature, photography

Splash & Dash.


Before I head out to work, I want to quickly send up a final post of my images from this beautiful flower, still basking in low, early winter-sun from behind my living-room window. Any of you who read my pages even semi-regularly will know that my joy lays moreso with black and white photography, but it cannot be argued that sometimes, a combination of colours and shades that so beautifully complement form – can be the sole reason that a frame should be captured in the first place. I still can’t make up my mind, when it comes to this orchid, as to which output I prefer. But then, do I have to decide? Perhaps, not. There’s room for both, I think. 

I do hope that you will enjoy these captures, and, that you have a great weekend ahead of you. 

R.

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I | 33mm f8.0

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II | 33mm f8.0

35chronicle.094 (3)

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III | 33mm f4.0

35chronicle.094 (1)

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[To view other posts in this series, please click the ‘orchid’ tag].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Closer Still(s) | PT.XVI | Orchid [B&W PT.II] | 35:Chronicle

black & white, close-up, macro, nature, photography

Light, Shadow & Form.


This is the penultimate post in this latest series of images from the humble orchid, which resides and, seems to be thriving, happily in my living room. I cannot say that I prefer the colour frames previously posted in PT.XV – for the light, shadow and form which I feel when I see these frames in black and white, grabs my attention without any distraction. The qualities which for me, make this subject so beautiful, are not enhanced one iota by their colour. I wonder how many might feel or see the same. If I have done any justice to this little flower in these few captures, then, maybe you will?

R.

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I. [33mm f8.0]

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II. [33mm f14]

35chronicle.089 (4)

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III. [33mm f8.0]

35chronicle.089 (1)

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[To view other posts in this series, please click the ‘orchid’ tag].

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Closer Still(s) | PT.XII | 35:Chronicle

35mm, close-up, macro, nature, photography

Purple Poppy-Pods.


I. | 35mm – 1/3″ | f10 | ISO:100

35chronicle.063 (02)

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II. | 35mm – 1/2″ | f10 | ISO:100

35chronicle.063

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Closer Still(s) | PT.X | Infrared 715nm | 35:Chronicle

50mm, close-up, faux-colour, infrared, macro, photography

One Red Poppy.


There is such a pleasure in photographing in infrared, (in fact, I can say the same of making images utilising any alternative-wavelengths) though I can’t even begin to describe it. Something about the added uncertainty of the quality of the light we can’t see – and wondering how to control it and, capture it. It definitely keeps me thinking; sometimes head-scratching. Yet so often, surprise and delight are revealed in such density that one cannot help going back for more, and more

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I | Poppy | 50mm 1/125th @f8 | ISO:271 | 715nm IR

35chronicle.044 (2)

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Since having received my IR converted A12 50mm for my GXR it occurred to me that I’ve not really given it a fair outing, yet. It’s not like it will care, or anything like that; it has no feelings and minds not if it’s being used or, if it spends its time just rattling around in compartment three, in my bag. But – though I love what I’ve managed to capture with my 28mm IR unit, the 50 is a rather different kettle o’ fish. For landscapes and closer, wide-angle stuff, the 28 is supreme and, at 760nm,  has a perfect base-wavelength for those tasks, but the 50 has a whole other genre as its niche. Whilst I haven’t taken it out for more natural FoV shooting as yet, I did, this morning, mooch around the garden trying out some close-up and macro subjects while the sun was out. Being as this is the UK – that latter consideration should remind you that unless the forecast states temperatures of 25 Celsius or higher for the entire day, the sun largely makes its own mind up as to whether it’s going to shine or hide behind the nearest cloud, and, there’s usually at least one large bugger waiting  for that job. That said, I had around a half-hour for a play before the inevitable happened.

It was enough.

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II | Poppy | 50mm 1/220th @f5.6 | ISO:200 | 715nm IR

35chronicle.044 (1)

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I’ve broken with a couple of traditions for these frames. The first is more of a sacred rule than a tradition, I suppose: I shot these handheld because I was just too lazy to set up on my tripod.  (There. I said it.) Secondly, I so seldom process infrared in false-colour because, well – it just never looks natural to me (even after setting the correct WB). If I can’t believe what I’m looking at, then I’m certainly not going to expect anyone else to believe it either and, if that should be the case then, what is the point? Still something about these frames made me want to have a go at FC-IR again. Therefore, after processing the entire batch in black and white (my ‘safety-net’ batch), I went back to the beginning and re-processed the whole lot for the second batch in faux-colour; and, you know what? I actually prefer them. I enjoy the subtlety that 715nm has afforded to the colours – and, I have done extremely little to these files  in order to complete them. Still, complete, they are and I am very happy to share a few of them. One single bright-red poppy, dishevelled by short bursts of heavy rain and a fortnight of regular stiff breezes, yet, still every bit as photogenic as when it first came to flower. 

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III | Poppy | 50mm 1/180th @f8 | ISO:200 | 715nm IR

35chronicle.044 (4)

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IV | Working Lunch | 50mm 1/125th @f8 | ISO:238 | 715nm IR

35chronicle.044 (3)

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Thank you.

Closer Still(s) | PT.IX | 35:Chronicle

50mm, close-up, colour, macro, nature, photography

Cherry Blossom.


I.

35Chronicle.043 (1)

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II.

35Chronicle.043 (2)

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As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
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All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

Foxgloves | PT.I of II | 35:Chronicle

50mm, close-up, colour, nature, photography

Pretty in Pink?


The woodlands and scrub around my house are festooned with Foxgloves and, it would be remiss of me if I weren’t to have a little fun with them. It’s easy to see why this flower is a very popular subject for photo-enthusiasts. In this first instalment, I concentrate only on the colour frames – the final image being made indoors, as the breeze began to hamper my efforts somewhat, even with the use of the tripod.

I hope you’ll enjoy these few grabs.

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I.

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II.

35chronicle.033 (1)

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III.

35chronicle.033 (3)

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IV.

35chronicle.033 (4)

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As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
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All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

Closer Still(s) | PT.VI | 35:Chronicle

35mm, black & white, close-up, colour, nature, photography, spring, summer

Dent de Lion.


We call it the Dandelion, from the French meaning ‘lion’s tooth’; but it has many more names, not oft’ used or heard such as: cankerwort, swine’s snout, witch’s or, yellow-gowan, monks-head, milk-witch, blowball, Irish daisy, priest’s-crown, wet-a-bed (presumably because of the diuretic effect of its roots when ingested), and, white or, wild-endive. No matter what we call it here in most parts of the UK, it’s generally regarded as a weed (but this is more than likely promoted as such by chemical companies producing consumer lawn and garden-care.) Nonetheless, though the humble dandelion is an all-too-common sight at this time of year, it would be a mistake to think that it wouldn’t be worthy of a frame or two. 

[Each image resized for web & may be tapped / clicked to open in a new tab / window]

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I.
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II.
35Chronicle.016 (1)

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III.
35Chronicle.016 (3)

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As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
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All Images & Posts © 35:Chronicle (2018, 2019) No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

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