Ricoh GR | You Can Call Me – ‘Jack’ | 35:Chronicle

black & white, close-up, colour, full-spectrum, Indoor, infrared, landscape, macro, nature, night / low-light, personal, photography, review, ruins, structures

Photographic ‘Mechano‘? | A Few More Nuts & Bolts.


Two very special cameras have made up the mainstay of my shooting arsenal over the past eight years; the Fujifilm X100 (the debut, the ‘S’ and, the ‘T’) and, the Ricoh GR (also, the GR II). The model numbers don’t really make much of a difference to me because it’s all about how they allow me to work when I’m making pictures. Furthermore, my joy of them has nothing to do with button layouts, menu-order, online reviews, or much else either. It’s really all about the ability to carry a portable, capable and an ever more familiar set-up that produces very workable digital negatives shot through focal-lengths that I prefer the most. Shooting with shorter focal lengths has been my passion for a good number of years now, ever since I made the decision to give up on larger systems and telephoto lenses. That decision itself came from a notion that being out of range didn’t make me a better photographer at all – it wasn’t brave and, I always felt like I was on the outside looking in, instead of immersed in the process. That’s why I ditched the longer lenses. Simple. I wanted to learn more about photography and could no longer find satisfaction from picking-off frames from a distance – no matter how attractive I found focal-plane-to-background separation. The change was swift and, sharp.

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I. | Sir Duncan Rice Library Building – University of Aberdeen.

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After a few years with the Fuji-X I wanted something a little smaller for my pocket, for those days we all hanker for at one time or another – when we can grab the shots without carrying the bag as well; not a replacement as such, but a complement to my existing camera(s). By that time, I was completely hooked on shorter focal-lengths, the immersive experience of making pictures with them and that was when I bit the proverbial bullet on a GR – a camera that has been in my bag or my pocket for almost six years, no matter what else I have been shooting alongside it. Now, you may think that this is going somewhere a little bit too romantic and, you might be right. You see, out of every piece of equipment I have ever shot with over the last twenty-plus years, Ricoh’s GXRs and GRs have been my absolute favourite to use. The GR however, (even for all of the APS-C variants of the GXR) – tops the lot. I have no issue with admitting that the GR is (digitally speaking) the best, most customisable, usable camera with which I have ever made pictures. But the oddity in all of this is that – it just got even better. I’m not talking of anything Ricoh has done to it or, for it. It’s simply that as well as my standard model, I now have another, converted to split-spectrum with an internal 450nm filter. This might not sound like a big deal (especially if you’re more a colour enthusiast or just not a fan of black and white photography) but bear with me, and you’ll see that it actually – is.

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II. | Kinclair Viaduct.

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My first foray into split-spectrum and true full-spectrum happened when I had received a converted A16 unit for my old GXR a few years ago and, with that one unit, I was able to reduce issues of low-light black and white photography and shoot any alternative wavelengths that I chose to – usually near-infrared around the 720nm mark. In truth, my main love for a split-spectrum converted camera lies in the ability for me to choose different IR wavelengths as my base, when shooting, though primarily, I stick to 720nm (give or take around 20-30nm) – as I have done for the last twelve or so years. But it’s lovely to have the latitude when it’s needed. If any of you browsed through my images of St.Giles’ Cathedral in Edinburgh, late last year, you will notice, if you look, the clear benefits of shooting indoors with a split or full-spectrum converted camera as, such a set-up effectively doubles the shutter speed because the amount of wavelengths and subsequently, available light, is also doubled. For this kind of photography, black and white is really the only option (unless you’re into really funky colours and peculiar white-balance) and if you’re happy with this, you’d be even happier at the reduced (or complete absence of) camera / motion blur in your shots, not to mention the huge amounts of extra detail in the blacks and shadows.

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III. | St. Gile’s Cathedral – Edinburgh [Full Spectrum – Handheld].

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Now, a small admission. Originally, when I started drafting this post, my intention was to write some kind or report or, review, about my newest acquisition in the 450nm GR. But as that camera is only half of my story, I have decided to be more – general and, as my title suggests, I do consider the GR to be the most customisable camera I have ever had the pleasure of getting my hands on. The mere fact that I now have two of them, both set-up in completely different ways, for alternative shooting requirements, will bear this out. The fact that I have most of the accessories available for them, is also a factor in their importance in much of my work because, by and large, I don’t go in for huge amounts of add-ons for my gear and, prefer to keep weight down instead. But as weight is not really an issue with a camera so compact, I allowed myself to indulge in order to make them as useful as possible, to me. As well as both cameras, one standard and one converted, I also have three GH-3 filter adapters. On one, I have the IR 720nm filter, on another – a C-PL and on the third, a +10 close-up filter for a little extra macro. Having each filter mounted on separate adapters allows me to very quickly swap-out filters between cameras with just a click & twist. Obviously, the R72 filter adapter only gets exchanged with the +10 if I’m going to choose close-up work in IR or split-spectrum, but the C-PL can be swapped out for either of the other two, because as I have discovered, the standard GR set-up is also receptive to IR wavelengths with no hot-spotting, giving the shooting process a natural ND sequence. So, for long exposure IR imagery, the standard GR handles infrared rather well indeed. (I will do my best to show this as artistically as I am able, during the summer). With the addition of the GW-3 wide lens (which is pretty special, I must say) I can add a 21mm repertoire to each set-up at will, with custom functions set for (35mm) crop-mode and conversion-lens use, on each camera; not to mention the ability to set each of the unit’s three custom modes, for different set-ups. The fact that I love the GR’s output is the reason I shoot with it in the first place but, coupled with its mechano-like, Swiss Army-Knife tendencies – I really don’t feel like I’m missing out on anything for wide shooting, or – much else, for that matter.

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IV. | Bluebell.

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Of late, I have found myself preferring 4:3 output straight from the camera and have noted a benefit to this also, in post. The GR’s lens has a certain amount of natural light fall-off (vignetting) in the corners (especially when shooting at its native 28mm with front-mounted filters) and shooting at 4:3 reduces this somewhat unappealing effect by cropping out the far-lateral sides of the sensor. Added to the fact that 35mm is my preferred focal-length, this internal crop-mode when utilised alongside the 4:3 option, reduces fall-off further, while still providing me with a fairly respectable 9mp RAW file for processing, minus the rather noticeable fall-off. Again, many quick functions are simple and quick to set-up and I also have a ratio option on my adjust lever as well as 28/35mm crop on the effects button at the side of the camera. There’s not really a whole lot more that I can say of the 450nm converted camera, per se – it is what it is and as long as it’s raison d’etre is realised and understood, it’s an extremely useful tool for low-light, indoor photography where crushed blacks aren’t desired but organic detail is. For me – it’s there for IR in the main. But that’s just me. I still need my bag, of course – but even so it weighs next to nothing and, my bases are all covered.

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V. | Church Ruin [720nm Infrared].

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The GR has mostly been heralded as the ideal street camera to have, and I will not argue this. But what has not been extolled, as far as I am able to discover for myself, is that it can do so much more than street-photography; decent macro (with or without external filter assistance), landscape, environmental, urban exploration, and even alternative wavelength, I don’t think there’s much this thing can’t do. I have probably harped on enough now about this camera but I so want anyone who is truly interested, to know just how much a little camera can do in hands attached to a mind that wants to truly explore photographic possibilities.

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VI. | Horse-Chestnut [Sticky] Bud.

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The GR III is soon to be released in the UK (note: this post was published in early March 2019) – and I know right now that I won’t be buying one at any time in the near future. The main reason that I keep my Fujis is because of their handling, their viewfinders and the lovely files that I get to make with them. Insosaying, (because its screen can be rather hard to see in sunlight) if the new GR had been designed and built with a finder (a la pop-up EFV on Sony’s RX100 MK3 and onwards) then I doubt that the X100/IR or the ‘T’ would get much handling. If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?

R.
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In the Still of the Light | PT.II | 720nm Infrared | 35:Chronicle

black & white, infrared, photography, ruins, structures

The Ruin at the Cross | PT.I.


These two frames are a taster of perhaps a few more to come, from a nearby church ruin. The fact that this single-storey derelict has its windows boarded-up is a little bit of a mystery to me and, a slight disappointment as it does rather mean that I can’t use those wonderful apertures as any kind of focal-point in any of my pictures. On the other hand, I am forced to put in more effort in my search for pleasing angles and views, and on such a day, I couldn’t think of anything better to do, than just that. 

(Both images photographed with a 450nm internally converted Ricoh GR, + front-mounted Hoya R72 IR filter at 28mm.) 

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Every (Bloody) Penny | Princes Street, Edinburgh | 35:Chronicle

35mm, black & white, photography, structures, urban

No Complaints – Honest!


Last year, during another of my annual pilgrimages to Edinburgh in order to enjoy some of the silly-season’s festivities, I did what I always do not long after I arrive – that is, to pay nothing short of a small fortune to board the Edinburgh Wheel at Princes Street Gardens and, make three full rotations before being booted-off. (One has to laugh, I suppose.) However, though I utterly begrudge the abusing of the general good-nature and festive-charity of the average, joy-seeking tourist, I can’t complain one bit when I have come away with a few frames that I couldn’t possibly have got, without having been royally fleeced, beforehand. So, here are my two chosen frames from inside my pod at the very top of the slowly rotating Ferris-wheel – looking out first over Princes Street Gardens, Waverley Station and towards the Royal Mile, and secondly, through the car’s rain-smeared window at the Scott Monument and along Princes Street itself. In a nutshell? For me anyway, worth every bloody penny!

R.

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I | Princes Street Gardens, Waverley, Royal Mile | 35mm.

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II | Scott Monument, Princes Street | 35mm.

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Morton Castle Ruins, Scotland | PT.III – Finale | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Its Place in Time.


At the risk of posting somewhat predictably of late, I can safely say that this is to be the last in my recent series of images taken at Morton. Since visiting, despite the awfulness of the weather and light-conditions at the time, it should be of no surprise that I fully intend to return to the ruins as soon as I possibly can; hopefully when conditions are far more conducive to my intentions, perhaps. Such a place is somewhat of a rarity – though local landscapes are abound with dilapidated historical and dare I say, romantic relics, however, Morton has a situation, a place-in-time so to speak, that can render one utterly speechless simply for the sight of it. Though I did try to capture the site from a number of angles and perspectives which might express just how romantic this place is, I know that I can do better. Finer weather would be a real treat, though. Yes, I shall certainly return – and, it won’t be a day too soon. 

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VII. | Morton Castle & Loch | 35mm.

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VIII. | East-Side D-Turret | 35mm.

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IX. | East-Nor-East [II] | 35mm.

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I very much hope that you’ll have enjoyed this series. 

R.


(For more images in this series, simple click on the ‘morton castle’ tag.)
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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Morton Castle Ruins, Scotland | PT.II | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Solitude.


Occasionally, words only serve to get in the way. 

R.

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IV. | Morton Castle | 35mm.

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V. | Morton, from the Dam [II] | 35mm.

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VI. | Westerly, over Morton Loch | 35mm.

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(For more images in this series, simple click on the ‘morton castle’ tag.)
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Morton Castle Ruins, Scotland | PT.I | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

For E.J. Dexter, et al.


Merely a name – painstakingly, thoughtfully carved into a door that is certainly nowhere near as old as the ruins themselves, still, looking at every carving – it is eery to almost feel the presence of so many visitors (perhaps even occupants) from the past. Morton Castle dates back to the 12th Century and, has been deconstructed, burned down, rebuilt and, has changed hands (and purpose) a good number of times in its long history. Much of that may have been well documented, however, there remains much mystery still about the place.

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I. |  Scores on the Doors | 35mm.

Morton Castle, Nr.Thornhill

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It will be all too apparent that I love old, ancient, historical buildings. Mostly though (in my laziness I suppose) it’s mainly a structural interest, a personal fascination owed to the immense ingenuity and graft (and time) that has been used or spent to create such unbelievable places, observing their spaces and  surroundings – even feeling their purpose. Yes, Morton has true presence. On arrival, the weather was probably of the worst kind for making photographs – I would not be capturing in infrared today. The sky, a heavy grey, the drizzle constant and, the clouds were getting lower over the nearby hills; but, my word – what an atmosphere. Like a child in a proverbial sweet-shop, I flipped constantly between excitement and fascination as I tried to take it all in. My brain couldn’t absorb it quickly enough; and the rain, though with small pockets of respite, was getting a tad heavier. 

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II. | Morton, from the Dam | 35mm.

Morton Castle, Nr.Thornhill

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On the east side of the ruin, at the base of the mound upon which it sits, is situated a dam that was built around the early 19th century, to purposely flood what was then marshland, in order that Morton Loch could be created and, it surrounds the site on three of its sides. Thus, in its elevated position, surrounded by some of the most spectacular scenery and calm waters, even the dullness of the day could not spoil a single part of it. The only sounds to be heard were those of gentle breezes, the occasional oyster-catcher in the distance and, regular footfalls in the thick, sodden grasses. The fact that my camera was catching water from the persistent light rain did not deter me either. I honestly think that I would have sacrificed it just to get the shots that I did. With not another soul within miles, the isolation felt truly breath-taking and, on a finer day – I will (happily) spend many, many hours here. Nonetheless, the moodiness of the day lent its artistic hand to Morton’s space, a new beat in my chest that instils passions renewed and, a fierce anticipation of returning.

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III. | East-Nor-East | 35mm.

Morton Castle, Nr.Thornhill

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Perfectly ‘Scotland’? On a day such as this – yes, most certainly!

I do hope that you enjoy this, my first instalment of Morton Castle – it’s a very special place to which I am sure very few photographs can possibly do justice. (For more images in this series, simple click on the ‘morton castle’ tag.)

R. 

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Stone, Cold, Hazy | 35:Chronicle

35mm, black & white, photography, ruins, structures

Sweetheart Abbey.


The ruins of Sweetheart Abbey stand on the edge of the village of New Abbey, not even a ten minute drive from Dumfries along the Solway coast-road. On this particular day, temperatures were freezing and, the fog was thick, still I made my way in the hope that I might make some frames of this lovely structure in the mists. As I suspected, there were no other visitors on this day which would have made composition and exclusion a lot simpler however,  sadly, on arrival, I discovered that around 40% of the site was clad high in scaffolding and, almost half of the grounds were cordoned-off with temporary fences covered with CCTV warnings and police signage. Bit of a mood-killer, to say the least. With a little careful framing, however, I was able to grab a few frames of this gorgeous structure – not quite what I intended when I set out, but – almost close. 

I hope you’ll enjoy these few, only slightly misty captures.

R.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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In-Spired-Out | 35:Chronicle

black & white, infrared, photography, structures

We Are, Therefore, We Create.


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I | Scott Monument – Princes Street, Edinburgh | 28mm – 1/125th – f4.2 – ISO: 259.

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II | Spire of St. Theresa’s [II: VIS] – Dumfries | 35mm – 1/220th – f5.6 – ISO:200.

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III | Greyfriars [II] | 720nm IR | 24mm – 1/125th – f7.6 – ISO: 336.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Internal Affairs | PT.V | 35:Chronicle

black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.III.


This is to be the final part of my St. Giles series. In all honesty, I could have gotten way more value out of my £2 photo-pass that I purchased upon entry. I could easily have whiled away more hours here than the one that I did. Watching, looking, shooting, looking. The light was poor though, a very dull and overcast sky affording less quality and intensity through stained-glass – so diffuse that my fixed lens camera of choice made it much more difficult to grab a steady shot, the later the afternoon became. Insosaying, I grabbed my low-light camera. Actually, it’s primarily my weapon of choice for much of my IR compositions, but, removing the UVIR Cut filter from in front of the lens element, I was able to gather twice as much light as my primary, fixed-lens camera. Shot in true full-spectrum, capturing all available light (from UV-A through VIS to IR) renders even sharp details a little softer due to invisible lightwave pollution but I still think these make the grade. I hope you will enjoy these last few captures.  

R.

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I | The Dark Exit.

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II | Symmetry Divine.

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III | Symmetry Divine [II]

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A Different Light | PT.II | 720nm Infrared | 35:Chronicle

black & white, infrared, photography, structures

Resolution.


For over an hour I have been sitting at my laptop, reviewing recently processed images that I was able to capture during a leisurely walk around Dumfries on what was a beautifully sunny day, under the clearest, bluest sky. As  my tummy rumbles, my choices become even more difficult as I now find myself distracted by the whiff of lunch emanating from the kitchen. But it can wait – I’ve decided, but it hasn’t been an easy choice. You see, I’ve lived here for almost twenty years now and, almost all of my photo-excursions (the landscapes, anyway) have had me concentrate heavily on rural scenes and views, making the most from infrared light wherever possible and insosaying, I have never, ever – in all of my time here, wandered through or around the town with my cameras. Though I had them with me, my only wish for such a beautiful day was that I might snag a few IR frames along the River Nith, after which, on approaching the town in search of at least one cafe with an ‘Open’ sign (which was more difficult than I thought it would be), I wasn’t thinking about making any more images at all, just… hot chocolate.

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I | The Venue Nightclub Building | 720nm IR | 24mm | 1/125th | f8 | ISO: 835.

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Nevertheless, leaving the riverside and heading into town, my ever scanning eye became increasingly keen as my recent fascination and enjoyment of strong structures again came to the fore and against such a deep blue backdrop, it was impossible to ignore these few frames-to-be. For colour enthusiasts I make no apology; I am delighted to share these captures of a place I know so well and yet, until now, have never seen quite like this. I take this as stark reminder to keep my eyes and, my mind open – especially to all that is right in front of me; that which I see almost every day – and don’t even notice. Of course, this applies to life just as it does to photography. A new resolution, perhaps?

To all of you who read, follow, click  or comment – I thank you and, wish you a very happy and prosperous 2019. I hope you’ll enjoy these few frames.

R.

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II | Spire of St. Theresa’s | 720nm IR | 35mm | 125th | f6.7 | ISO: 308.

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III | Greyfriars | 720nm IR | 24mm | 1/125th | f8 | ISO: 283.
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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

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Snowdrops | 35mm.

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Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

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Talla Reservoir | 760nm Infrared | 28mm.

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

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How the Other Half Live | 720nm Infrared | 35mm.

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

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Grandeur | 35mm.

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Happy New Year 2019, to You All!

R.


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INTERNAL AFFAIRS | PT.IV | 35:CHRONICLE

35mm, 50mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.II


IV | Grandeur.  [X100T: 35mm – 1/12th – f2.8 – ISO:1600 – +0.7 – Matrix]

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V | Light. [GXR A16 (Full-Spectrum): 85mm – 1/125th – f5.5 – ISO:1600 – Matrix]

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VI | Blue II. [X100T: 35mm – 1/9th – f2.8 – ISO:1600 – +0.7 – Matrix]

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VII | Lantern. [GXR A16 (Full-Spectrum): 50mm – 1/30th – f4 – ISO:1600 – Matrix]

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(St. Giles’ – PT.I)
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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Internal Affairs | PT.III | 35:Chronicle

35mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.I


We’re all running short of time at this end of the year, so, let me say this off the bat in case you don’t have time yet to read to the end of the post – to all of you who read and follow my pages, I would like to wish you all a very happy Christmas and,  I extent my warmest thanks for your support, your comments and, your valuable time ever since I started my little blog, back in March. It’s been a superb journey thus far and, I hope to get at least one more post in before Hogmanay!

On Friday of last week, I had occasion to visit Edinburgh. As it’s that time of year again, I do like to get to Princes Street and do the whole Christmas Market thing, kind of a tradition and as I didn’t get to visit last year, I was very keen to get there before this Christmas kicked off, proper. Now, I resisted the temptation to shoot all things Christmassy so please do forgive me for the lack of tinsel, Santa-hats, seasonal pullovers, mistletoe and the like. Instead, I again only wanted to capture the feel of the place at this time of year. With that said, the images I have chosen for this post may feel a little off-piste or, at the very least, somewhat off-topic. The thing is, I’m not religious nor do I have any great love of this time of year, however, I do enjoy its essence, and – different things mean different things to different people. So, instead of capturing the shiny and commercial side of the season, per se, I decided instead to simply wander and shoot. 

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I | Blue. [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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Sadly however, the weather was bloody atrocious, nothing but dull light, blanket grey skies and drizzle for most of it, which, made things a little tricky, as is oft’ the case under such conditions when you’re wielding a camera. I decided then, that West Parliament Square would be a great place to grab some serious frames – at the Cathedral of St. Giles. In my bag I carried two cameras – my X100T and, my Richoh (True Full-Spectrum converted) GXR – see my Light Waves page for more info on TFS if you’re not au-fait with it). The Fuji handled outdoors just fine but, being a habitual ISO:1600 maximum shooter, it was sluggish here. I did grab a good number of frames with it inside St. Giles’ and in fact, two of them are right here – but when I really struggled, the GXR’s completely unhindered sensor came into its own. Especially when the light became really difficult. Of course – shooting in mixed light with a full-spectrum camera makes things extremely tricky when it comes to colour reproduction but it’s forte is really black and white output anyway – so, I was in my element. Shutter speeds were almost twice as fast as the standard Fuji when my ISO and Av were the same. A nice little bonus when shooting hand-held indoors and, it certainly helped me in keeping a few frames a little less shaky, shall we say? 

As an aside, the X100T frames have a rather HDR look about them, which I am surprised at. After extremely minimal processing from RAW (RAF converted to DNG) and not even two minutes consideration I am, though I do not enjoy HDR images, very pleased with the results here – and the subject matter does seem to pop, rather nicely.  

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II | Ornation. [GXR (TFS): 24mm – 1/25th – f4.0 – ISO:1600 – -0.3 – Matrix]

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III | Yes, I Probably Looked a Right Berk Laying on my Back on the Cathedral Floor for this One – but, I Don’t Care! [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

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I hope you will enjoy these few frames, that you have a splendid Christmas, however you’re celebrating and, I hope to be here again with you before the New Year! 

Have a fabulous time, all! 

R.


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Something to Believe | Glasgow | 35:Chronicle

black & white, personal, photography, structures

Reflective Practise | A Personal Narrative.


During a wander along the Clyde towards Glasgow Green, just past the Jamaica Bridge, I came across these two buildings. I stopped, of course. While the traffic buzzed past me and people nudged against my arm as if to criticise me for standing still, for not going with the flow like everyone else, I stood. Still. As I looked left then right, taking in each structure, silly questions entered my head, such as, I wonder if the city’s planning department sanctioned the building of one to complement the other, in some perverse way? Coming from a conservation area myself, local councils would seldom allow the building of one that didn’t in some way fit-in with the buildings nearby and then I wondered, was the glass building perhaps some kind of reminder? An existential nudge to passers-by?

Religion is not a part of my life and never has been, at least not since my infant school told me that I was C of E – I wasn’t; only, the son of C of E parents for, at five years of age I knew nothing of the concept of religion. Still, I have grown up always wanting to be not only aware of my limitations but, also of my potential. Like the implied good, reflecting back at me. As a result, I began to wonder again, as if to confirm my thoughts that, no matter how well we think we’re doing, we can always be better. Reflect and, project.

Now that, is something in which I can definitely believe.

R.

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I.

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II.

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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King’s College Chapel | Old Aberdeen | 35:Chronicle

28mm, black & white, night / low-light, photography, structures

Wide Open Spaces.


Walking around Old Aberdeen after sunset turned out to be a pure joy in many ways. In a previous post, I waxed a little about the stunningly picturesque Powis Gate Towers and, directly opposite them stands this beautiful building – King’s College. Although I was tripodless, I managed to snag a few frames by shooting wide open (at 2.5) handheld and, though a little soft, I am nonetheless very happy to share these few images. I hope you’ll enjoy them. 

R.

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I. [1/17th” f2.5 ISO:1600]

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II. [1/50th” f2.5 ISO:1600]

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III. [1/13th” f2.5 ISO:1600]

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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