Postcards from the Recovery Position | PT.III | 35:Chronicle

35mm, black & white, personal, photography

Two Sides to the Coin [PT.I]

When something awful happens, it’s often easiest of all to see the negatives, impossible to ignore the seriousness, however, helpful too, if we can reflect and find at least some positives, no matter how small. The latter, takes a little more time, though, naturally – after acceptance.

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I | Life-Lines.

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As I lay in the bed in my local hospital, during the week that I was there, I had much time to reflect on what had happened to me and, to worry myself stupid as to the possible outcomes, relative to my future. With four broken bones in my spine, a broken toe (there’s a cruel joke if ever I heard one!) and severely bruised (yet miraculously, not broken) ribs (so I was told) – I had to suffer the indignity of wearing knee-length white socks, too. Okay, I know – I’m in the trade so I know how badly I absolutely do not want a DVT or worse, a PE. But with the help of regular pain relief, I was able to see the lighter side of things, sometimes. Most notably, I was still alive, and, I guess I’m in bonus-time now. 

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II | Introducing – Wendy.

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While friends and colleagues kept me busy with frequent, daily visits, appropriate (and inappropriate) humour(!), anecdotes, utter mickey-taking and wishes for a good recovery, I (fortunately, gratefully) had little time to wallow in self-pity  – still, that would happen all by itself during the early hours of each morning as I lay flat on my back, not even able to turn myself when my back-side became numb, or my back became more painful through each passing hour. The night terrors had successfully installed themselves in my head like a post-shutdown virus, to be activated every night during the hours of midnight and five a.m. just as they still do, and so, I needed something normal to act as a coping mechanism. Something intrinsic inside me.

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III | Abbie – One of my Guardian Angels.

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After a visit from my beloved, and a heartfelt request for my camera bag – she arrived later that evening to put a huge smile on my face as she sat it on my drawer unit next to me. I imagined that whilst having to remain still on my back for the time being, I would be rather stuck for shooting opportunities and, I wasn’t wrong. With this in mind, I hope that you will forgive my distinct lack of artistic content in these images. They are real, though. If the desire is strong enough – it’s still possible to capture a few frames that will serve to remind me again and again, of just how bloody lucky I am to even be here. I live to shoot again. Bonus time or not – however I look at it, for everything that’s good in this life, a second bite is a most welcome gift and, “every day, in every way – I am getting better, and better”.

(Thank you, Emile Coue de la Chataigneraie for the quotation!)

R.

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IV | Defining: ‘Snookered’?

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Postcards from the Recovery Position [PT.I]
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Postcards from the Recovery Position | PT.I | 35:Chronicle

black & white, Indoor, infrared, landscape, personal, photography, ruins, rural, structures

Drumcoltran Tower [PT.I]


Okee doke, a little explanation is required here because my absence has been a little more protracted than I would have liked, of late. 

Two weekends ago, I was involved in a rather serious accident while at work and found myself admitted to hospital. Details aren’t important but I can say that I am very lucky to be alive. My injuries however, are serious enough that I am required to remain in bed and, after a week in hospital, I am now at home, in the same position, where I must stay for the foreseeable weeks ahead. 

Before I had returned to work however, during a number of beautiful days-off, I made the most of the sunshine and, with A, visited a good number of places, made an even better number of frames and, consumed regularly – copious cups of Earl Grey tea, locally made cakes and the occasional ice-cream too. With all of this noted, all of the frames I will post over the next few weeks are from the vault; a recently replenished vault, and, I am glad of it because the chance of me getting out to make photographs within the next six weeks or so, is looking so slim as to render it invisible, at least from a side-on perspective. 

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I | Drumcoltran Tower | 720nm Infrared | 35mm.

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Drumcoltran Tower is situated in SW Scotland between Beeswing (Bees-wing as opposed to Bee-Swing; though the latter image may be rather humorous, nonetheless)  and Kirkgunzeon (pron: kur-gun-y’n) and is integrated now into a modern farm. It’s not very well signed and until you approach the junction that leads to it, it’s not signposted at all. But it’s so worth finding. 

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II | Mother Nature as Projectionist | 21mm.

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From the outside, it looks rather uncomplicated, not all that exciting, as other structures from its era might appear, and one would be fooled into thinking that a five-minute exploration would more than enough. I was fooled, because once we entered the tower, we didn’t leave for another ninety minutes or so. Over the next four or five posts, I hope to show just why this externally (comparatively) nondescript treasure of Scotland, captured my imagination. 

It’s good to be back and, I do hope that you’ll enjoy these first few frames of and, from this early 16th century beauty.

R.

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III | Enjoying the Views [One Must Keep His Spirits Up!]| 21mm.

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Closer Still(s) | PT.XXI | These Bleeding Hearts | 35:Chronicle

35mm, black & white, close-up, colour, macro, nature, personal, photography

Moments Like This.


When a six year-old boy comes home with a gift like this, tied to his huge smile as he hands it to me (because all he can think about is the pictures that I’m going to make from it) it really does tug at the strings. If moments like this mean anything at all, it is that one can never underestimate the hearts of innocents. He’s even promised me he’ll save all of his pocket-money so that he can buy more for me to photograph. If that isn’t worth sharing, I don’t know what is.

(Thanks, Flynn!)

R.

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I.

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II.

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III.

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The Problem with Nostalgia | Personal Narrative | 35:Chronicle

black & white, personal, photography

Today is Saturday – Watch and Smile (& Other Memories).


I must have been only five years old when my family lived in that old Victorian flat. Across the road and only a fifty-yard hop and skip down it – was the infants’ school I had just started at, and next door, the Doctor, his wife and their two boys lived in their enormous four-story mansion. I mention this because, my father, who had his own Monday to Friday job, used to make extra money by hiring out his services as a builder and landscaper to friends and others he knew and, because during the seventies money was scarce and, he was never able to, well, relax. For as long as I knew him, he was either working at full-throttle or, asleep. On Saturdays, during the mid-seventies, from spring through to very late autumn, he would spend his hours right next door, working for the doctor. 

The grounds around the house were not surprisingly, huge. They were thickly bordered with all manner of shrubs and trees which we young boys would climb, hide in, build dens under and eat hurriedly thrown-together picnics inside – the lawns were perfectly trimmed and striped, ideal for boys’ games beneath a never ending summer sun and plenty of out-buildings to muck around in too. If it was raining, we’d remain indoors for the morning – shut ourselves in their playroom and watch TISWAS before venturing out to find something else to busy ourselves with, come rain or shine. Sometimes we’d help my father but moreover, he preferred to work on his own and I think the real reason that I was there was to give me a little play-time without him having to constantly watch over me. We never, as far as I can recall, got into any real scrapes. The house next door was a perfect retreat, a happy distraction and, I still miss those Saturdays. I only realised just how much – forty-four years later, when I visited Drumlanrig, not even a fortnight ago. 

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Echoes.

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Some two-hundred yards away from the main castle, towards the main road, sits this beautiful little bungalow, with its greenhouse almost twice the size of it; gravelled paths, shrubs, rustic borders and plenty of places to hide in, build yet more dens – and, to lark about under a bright and warm sky. I saw this place and every memory of those Saturdays came flooding back. The smell of the laurels, the sounds of crunching footfalls and the mysteries of what I didn’t yet know of what was around each next corner. As I approached the gate, I simply stood and – exhaled. The house here is markedly different from the mansion of my young-boy Saturdays, but this place echoes my past in ways I simply can’t explain any better. For a long time, well, ten minutes or thereabouts – I stood and just soaked it in, as best I could anyway. As much as I could, did not feel anything like enough, though. Some places speak to us, I suppose. Without rhyme or reason, without intention or provocation. Yet the voice is always my own.

As I leaned on the gate and grabbed a few frames, I was aware that I seemed to be exhaling far more litres of air than I was inspiring, in disbelief of the feelings invoked most probably – and as ridiculous as all of this may sound to some, many even or, to you, I felt alive, that both a joy and a sadness presided in me with such weight that I should even feel it now, enough to write a few words about it. You see, I’ll never know exactly what happened to my father and, there’s a natural feeling of disconnection that has presided in me all of my life – not because I want or need to know the details (I’ve had  one or two opportunities to find out, had a fear of the known not been so strong) but because I can’t ever remember him being the father I would have always imagined I’d have wanted or needed him to be. In some way – I think views such as this, places that so intimately mimic the more beautiful memories of a past so far removed from a life of responsibility, simply remind me that I came from somewhere.

And some of it was good. 

R.

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A Huge “Thank You!” | 35:Chronicle

personal, photography

Visions | One Year Ago.


It’s not often that I would make two posts in a day, however, I received a little reminder from our friends at WordPress, that 35:Chronicle Photography is – a year old, today! My, hasn’t it gone by quickly?! 

wpa

When I first decided to post here, I made myself a set of rules – sticking primarily to one focal-length in order to push myself a little harder in the hope that I might improve my eye and, with work and luck, hopefully too, to become more creative with my cameras. Coupled with my passion for black and white, visible light and infrared photography, though I have wavered from time to time in some areas, I am happy to know that in the main, I’ve stuck to my guns and though I cannot be the judge of my own progress, I do feel that I’ve learned more in this past year, than any other. This learning doesn’t happen all by itself though. 

Over the last twelve months, my pages and images have received over 8,000 views along with thousands of clicks, comments and, over 150 followers. This much, I could never have expected and to say that I have been overwhelmed is a little bit of an understatement. Your support, regular and frequent input, ideas, and the overall ethos of what an artistic community should represent and indeed does just that, spurs me on to write and share what it is that I absolutely love to do; to make photographs.

I would therefore like to share my most heartfelt thanks to all of you who read my pages whether you are WP subscribers or perhaps just occasional visitors, those of you who get involved, and those who create art in whatever form you do so, for my pleasure, learning and entertainment, also. I am continuously encouraged. To those close to me also for your patience and encouragement, and to work colleagues whom I may bore with my photographic blabberings on an almost weekly basis. To Amar (for your valued and consistent friendship, your amazing technical and scientific wizardry and, your wonderful infrared conversions, it has to be said) and to everyone who has helped me along the way, too. I’d also like to say hello and a big thank you to the members of the Guildford Photographic Society – I too browse your pages and images regularly and also appreciate the huge amount of talent you collectively possess. Keep up the wonderful work! Thank you too, to the people behind WordPress – for creating and maintaining a wonderful platform through which we can all share what we love.

With so much still to be done over the next twelve months – I do hope you’ll stick around and hopefully, enjoy what’s to come. 

Thank you!

R.


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Inside Thirlstane Arch | PT.II of II | 35:Chronicle

35mm, black & white, infrared, personal, photography

Overseeing? | Internal Dialogue.


Eddie Van Halen once answered (while being interviewed for a famous rock magazine in the 80s) a question as to his playing style, most specifically, his soloing techniques. As I recall, he explained that when he constructs solos – he likened it to “falling helplessly down a long staircase but landing on my feet”. The reason I mention this, is because though I imagined this post to just be another few images of what some might see as ‘just another rock’, I have ended up writing… stuff. A ramble, if you like. I just hope that by the end of it, I also land on mine; and though I have little sense of thought-structure right now, the top of the staircase is in full and daunting view and, I am left feeling as though my shoes are on the wrong way round, laces untied.

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IV | 35mm – 720nm Infrared.

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When it comes to a scene, where compositional possibilities are somewhat limited (either by subject, angle, light or, our own abilities) what would be the point in taking  just one or two frames and walking away? If a scene makes me buzz, I hang around – explore it, and keep shooting. Not for the sake of it, though. There’s nothing more tedious than going through the editing process later, and knowing that 75% of my frames are destined for the bin before I’ve even begun looking  at them. Spray and pray? Not my style, at all. So, purposeful engagement with a pleasing subject, loaded with potential compositional snaggery (I don’t believe this is actually a word but, it works for me) can often be beautifully rewarding. Impatience has no place here. Instead, time, exploration, looking, seeing and the changing of shooting techniques (and yes, different wavelengths too) – are all keys to finding a different view of what, on first appearance to the human eye, might have been quite – normal. Unremarkable, even. Like a rock, perhaps.

Without direction, by perhaps explaining just why, what or how I saw or appreciated any given composition, I prefer instead to not influence a pattern of thought in a viewer and allow elements to come to the fore – or not, for that person. As you are reading this too, for you. Should not the very initial dialogue between the image and the seer, be internal? Seeing is a very personal thing, isn’t it? Whether you might (or, not) see what I see, or saw – is of little consequence to me personally and though this probably sounds dismissive, arrogant, cold or selfish, even, this would be as far from the truth of it as the stars must be. The freedom to perceive is the right of one and, the only wish I have is that you’ll enjoy even some of my frames, in whatever ways you see them. When someone, anyone, says to me that something I have seen resonated with them also has to be the biggest compliments I can imagine, and yet, often, I will hear or read words suggesting that something that I didn’t see – did the same thing. And so I keep learning to ‘see’ more effectively. By listening, too, I learn to look. The reason I mention any of this comes from my own internal dialogues of late; the ones that ask me to answer questions – begging answers in explanation as to why I do this in this first place. 

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V | 35mm – VIS.

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Before I attempt to answer my own question(s) I must explain though, as the idea for this particular post seemed to be a natural sequel to my previous, my first few frames from Thirlstane, there were to be no paragraphs, no sentences, no stringing together of words – at all. I figured that all that I wanted to say was already written in PT.I. The introduction and the conclusion. Still, as others have also poignantly written, sometimes the words come when we least expected them to and, other times, we ache to write something, stare at a blank screen and poke our brains for what feels like mini-aeons, and – nothing comes out from the fingertips. Whatever the intention, the reality of creativity seems to seek itself out and, as a conduit for whatever is or isn’t inside us, we do or we just – don’t. I think it’s as simple as that.

Conscious creativity seems to me, the very hardest part of making images. I don’t know if I’m answering my own questions but the nearest I can get to concluding why I shoot, think and continue to explore photography is the simple knowledge that I do not believe I’ve made all that I can make. I haven’t seen my best photograph because I haven’t made it yet. I haven’t explored the full possibilities of what my own limitations will allow me to see and make, with light and shadow. Though I search, sometimes painfully consciously for creativity, it seems to me that when I just relax with it, don’t push myself to make anything happen, instead just capturing what I see, trusting what I do know and being relaxed with variables – even by accident and not even thinking about every single element, I find ridiculous amounts of enjoyment in seeing a moment; and then, feeling the camera in my hand, stealing it.

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VI | 35mm – VIS.

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Not for recognition, not for the struggle or competition, not for anything else except the pure enjoyment, the passion, the constant pre-excitation – for discoveries; and, being able to share it. What is a picture without anyone there to look inside it?  

Perhaps I’ve just landed? Only you know the answer to that one.

R.

[Frames V & VI: X100T | Frame IV: X100 720nm Conversion]
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Ricoh GR | You Can Call Me – ‘Jack’ | 35:Chronicle

black & white, close-up, colour, full-spectrum, Indoor, infrared, landscape, macro, nature, night / low-light, personal, photography, review, ruins, structures

Photographic ‘Mechano‘? | A Few More Nuts & Bolts.


Two very special cameras have made up the mainstay of my shooting arsenal over the past eight years; the Fujifilm X100 (the debut, the ‘S’ and, the ‘T’) and, the Ricoh GR (also, the GR II). The model numbers don’t really make much of a difference to me because it’s all about how they allow me to work when I’m making pictures. Furthermore, my joy of them has nothing to do with button layouts, menu-order, online reviews, or much else either. It’s really all about the ability to carry a portable, capable and an ever more familiar set-up that produces very workable digital negatives shot through focal-lengths that I prefer the most. Shooting with shorter focal lengths has been my passion for a good number of years now, ever since I made the decision to give up on larger systems and telephoto lenses. That decision itself came from a notion that being out of range didn’t make me a better photographer at all – it wasn’t brave and, I always felt like I was on the outside looking in, instead of immersed in the process. That’s why I ditched the longer lenses. Simple. I wanted to learn more about photography and could no longer find satisfaction from picking-off frames from a distance – no matter how attractive I found focal-plane-to-background separation. The change was swift and, sharp.

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I. | Sir Duncan Rice Library Building – University of Aberdeen.

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After a few years with the Fuji-X I wanted something a little smaller for my pocket, for those days we all hanker for at one time or another – when we can grab the shots without carrying the bag as well; not a replacement as such, but a complement to my existing camera(s). By that time, I was completely hooked on shorter focal-lengths, the immersive experience of making pictures with them and that was when I bit the proverbial bullet on a GR – a camera that has been in my bag or my pocket for almost six years, no matter what else I have been shooting alongside it. Now, you may think that this is going somewhere a little bit too romantic and, you might be right. You see, out of every piece of equipment I have ever shot with over the last twenty-plus years, Ricoh’s GXRs and GRs have been my absolute favourite to use. The GR however, (even for all of the APS-C variants of the GXR) – tops the lot. I have no issue with admitting that the GR is (digitally speaking) the best, most customisable, usable camera with which I have ever made pictures. But the oddity in all of this is that – it just got even better. I’m not talking of anything Ricoh has done to it or, for it. It’s simply that as well as my standard model, I now have another, converted to split-spectrum with an internal 450nm filter. This might not sound like a big deal (especially if you’re more a colour enthusiast or just not a fan of black and white photography) but bear with me, and you’ll see that it actually – is.

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II. | Kinclair Viaduct.

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My first foray into split-spectrum and true full-spectrum happened when I had received a converted A16 unit for my old GXR a few years ago and, with that one unit, I was able to reduce issues of low-light black and white photography and shoot any alternative wavelengths that I chose to – usually near-infrared around the 720nm mark. In truth, my main love for a split-spectrum converted camera lies in the ability for me to choose different IR wavelengths as my base, when shooting, though primarily, I stick to 720nm (give or take around 20-30nm) – as I have done for the last twelve or so years. But it’s lovely to have the latitude when it’s needed. If any of you browsed through my images of St.Giles’ Cathedral in Edinburgh, late last year, you will notice, if you look, the clear benefits of shooting indoors with a split or full-spectrum converted camera as, such a set-up effectively doubles the shutter speed because the amount of wavelengths and subsequently, available light, is also doubled. For this kind of photography, black and white is really the only option (unless you’re into really funky colours and peculiar white-balance) and if you’re happy with this, you’d be even happier at the reduced (or complete absence of) camera / motion blur in your shots, not to mention the huge amounts of extra detail in the blacks and shadows.

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III. | St. Gile’s Cathedral – Edinburgh [Full Spectrum – Handheld].

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Now, a small admission. Originally, when I started drafting this post, my intention was to write some kind or report or, review, about my newest acquisition in the 450nm GR. But as that camera is only half of my story, I have decided to be more – general and, as my title suggests, I do consider the GR to be the most customisable camera I have ever had the pleasure of getting my hands on. The mere fact that I now have two of them, both set-up in completely different ways, for alternative shooting requirements, will bear this out. The fact that I have most of the accessories available for them, is also a factor in their importance in much of my work because, by and large, I don’t go in for huge amounts of add-ons for my gear and, prefer to keep weight down instead. But as weight is not really an issue with a camera so compact, I allowed myself to indulge in order to make them as useful as possible, to me. As well as both cameras, one standard and one converted, I also have three GH-3 filter adapters. On one, I have the IR 720nm filter, on another – a C-PL and on the third, a +10 close-up filter for a little extra macro. Having each filter mounted on separate adapters allows me to very quickly swap-out filters between cameras with just a click & twist. Obviously, the R72 filter adapter only gets exchanged with the +10 if I’m going to choose close-up work in IR or split-spectrum, but the C-PL can be swapped out for either of the other two, because as I have discovered, the standard GR set-up is also receptive to IR wavelengths with no hot-spotting, giving the shooting process a natural ND sequence. So, for long exposure IR imagery, the standard GR handles infrared rather well indeed. (I will do my best to show this as artistically as I am able, during the summer). With the addition of the GW-3 wide lens (which is pretty special, I must say) I can add a 21mm repertoire to each set-up at will, with custom functions set for (35mm) crop-mode and conversion-lens use, on each camera; not to mention the ability to set each of the unit’s three custom modes, for different set-ups. The fact that I love the GR’s output is the reason I shoot with it in the first place but, coupled with its mechano-like, Swiss Army-Knife tendencies – I really don’t feel like I’m missing out on anything for wide shooting, or – much else, for that matter.

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IV. | Bluebell.

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Of late, I have found myself preferring 4:3 output straight from the camera and have noted a benefit to this also, in post. The GR’s lens has a certain amount of natural light fall-off (vignetting) in the corners (especially when shooting at its native 28mm with front-mounted filters) and shooting at 4:3 reduces this somewhat unappealing effect by cropping out the far-lateral sides of the sensor. Added to the fact that 35mm is my preferred focal-length, this internal crop-mode when utilised alongside the 4:3 option, reduces fall-off further, while still providing me with a fairly respectable 9mp RAW file for processing, minus the rather noticeable fall-off. Again, many quick functions are simple and quick to set-up and I also have a ratio option on my adjust lever as well as 28/35mm crop on the effects button at the side of the camera. There’s not really a whole lot more that I can say of the 450nm converted camera, per se – it is what it is and as long as it’s raison d’etre is realised and understood, it’s an extremely useful tool for low-light, indoor photography where crushed blacks aren’t desired but organic detail is. For me – it’s there for IR in the main. But that’s just me. I still need my bag, of course – but even so it weighs next to nothing and, my bases are all covered.

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V. | Church Ruin [720nm Infrared].

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The GR has mostly been heralded as the ideal street camera to have, and I will not argue this. But what has not been extolled, as far as I am able to discover for myself, is that it can do so much more than street-photography; decent macro (with or without external filter assistance), landscape, environmental, urban exploration, and even alternative wavelength, I don’t think there’s much this thing can’t do. I have probably harped on enough now about this camera but I so want anyone who is truly interested, to know just how much a little camera can do in hands attached to a mind that wants to truly explore photographic possibilities.

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VI. | Horse-Chestnut [Sticky] Bud.

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The GR III is soon to be released in the UK (note: this post was published in early March 2019) – and I know right now that I won’t be buying one at any time in the near future. The main reason that I keep my Fujis is because of their handling, their viewfinders and the lovely files that I get to make with them. Insosaying, (because its screen can be rather hard to see in sunlight) if the new GR had been designed and built with a finder (a la pop-up EFV on Sony’s RX100 MK3 and onwards) then I doubt that the X100/IR or the ‘T’ would get much handling. If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?

R.
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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

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Snowdrops | 35mm.

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Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

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Talla Reservoir | 760nm Infrared | 28mm.

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

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How the Other Half Live | 720nm Infrared | 35mm.

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

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Grandeur | 35mm.

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Happy New Year 2019, to You All!

R.


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Something to Believe | Glasgow | 35:Chronicle

black & white, personal, photography, structures

Reflective Practise | A Personal Narrative.


During a wander along the Clyde towards Glasgow Green, just past the Jamaica Bridge, I came across these two buildings. I stopped, of course. While the traffic buzzed past me and people nudged against my arm as if to criticise me for standing still, for not going with the flow like everyone else, I stood. Still. As I looked left then right, taking in each structure, silly questions entered my head, such as, I wonder if the city’s planning department sanctioned the building of one to complement the other, in some perverse way? Coming from a conservation area myself, local councils would seldom allow the building of one that didn’t in some way fit-in with the buildings nearby and then I wondered, was the glass building perhaps some kind of reminder? An existential nudge to passers-by?

Religion is not a part of my life and never has been, at least not since my infant school told me that I was C of E – I wasn’t; only, the son of C of E parents for, at five years of age I knew nothing of the concept of religion. Still, I have grown up always wanting to be not only aware of my limitations but, also of my potential. Like the implied good, reflecting back at me. As a result, I began to wonder again, as if to confirm my thoughts that, no matter how well we think we’re doing, we can always be better. Reflect and, project.

Now that, is something in which I can definitely believe.

R.

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I.

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II.

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Back-lit Orchids | 35:Chronicle

black & white, close-up, colour, Indoor, nature, personal, photography

Is Three Really a Crowd?


Okay – forgive me, please! This is my third post on-the-bounce of the same photographic subject. I promise, I really was not intending to rip the arse out of this, however, the host plant from my last two posts was happily perched on my living-room window-sill, soaking up some of that gorgeous, bright stuff this afternoon – and, I just couldn’t resist a few casual frames of this beautiful plant. (Oddly, I have made some frames in colour today, that I am actually pretty happy with. Who’d have thunk it?!)

I’ll probably not be able to post again until almost the middle of next week, therefore, I’ll leave you with this smidgen of sunshine and, wish you all a fabulous weekend! 

R.

I.

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II.

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III.

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[To view other posts in my recent series, please click the ‘orchid’ tag].

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‘Between Moments | PT.III | 35:Chronicle

35mm, black & white, personal, photography

A Protracted Hiatus, Perhaps?

It’s so very seldom that I should take such a long break from posting and, for this, to my regular readers and followers, I do apologise. In truth, in my silence, I have been giving much thought to future potential projects and, have also been working with some new equipment. I’m still feeling my way and, considering creative options, but my attention has not been as stagnant or motionless as my right foot might suggest. To all of you who read and enjoy my posts, I appreciate and thank you hugely for your patience with me. I hope to extend that, new things are  potentially (ahem!) afoot. 

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No Raw Neglect? | 35mm f1.8.

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Three Little Steps | 35:Chronicle

black & white, colour, personal, photography

… To the Light.


I. | Twist & Open.

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II. | Open & Lean Out.

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III. | Lean Out & – Breathe.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Fading Casual Silence | 35:Chronicle

black & white, nature, personal, photography, waterscape

An Intermission.


These frames were, honestly, an afterthought. I didn’t come here to make any but it would have been utterly ridiculous of me not to. Sometimes, I just want to sit for a while and, look out. Think. Reflect. Figure it all out. Breathe. Even moments like these don’t require a dozen or more frames to preserve them in memory. On this grey and moody afternoon, I clambered across the rocks and looked out over the Solway. There was not a single person in sight anywhere around me – a real rarity. On this day, I was truly alone – whether usually a choice or not, on this day, it was what I needed. A tonic for the soul, as someone (far wiser than their own self-belief would have ever allowed them to admit) once said to me; and so, despite endless potential futures – all of them floating before me, directionless, like infinitesimally fine droplets of moisture carried almost weightlessly in the air, I was, for once, completely happy with that.

If this moment could be summed-up as a single, beautifully simple equation (where I=me & R=the rocks) it would be this:

(I+R) = 1.

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I. | 28mm.

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II. | 28mm.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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‘Between Moments | PT.II | 35:Chronicle

50mm, black & white, close-up, colour, macro, nature, personal, photography

(A Little More) Backyard Buffoonery.


Okay, nothing serious here – just a few frames I managed to snick from a mess-around this afternoon in the garden, with various Ricoh set-ups. 

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Waiting for the Bumble (that Never Showed) | GXR & 50mm (EFoV).

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An Unfolding Gladiolus | GXR & 50mm (EFoV).

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(For a Four-Legged Friend) Sweet William | GXR A16 & Hoya +10.

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Gladiolus | GXR A16 & Hoya +10.

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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Closer Still(s) | PT.XI | 35:Chronicle

50mm, black & white, colour, macro, nature, personal, photography

Taking a Chill-Pill.


Heck, I can’t always take photography too seriously; without doubt it is and has been one of my biggest passions throughout the past twenty (plus) years of my life and, I dare say, by those who know me personally, I am known for it. But there’s another side to the seriousness of getting the image and that is, to simply get the camera out and just have a little fun with it – and to not worry or be so seriously preoccupied with perfect composition or, focus or, whatever else we look for. The truth told, I love to shoot freestyle, freehand, free-lensed and, I don’t do it anywhere nearly as often as I would like, and, I have been photographically rather lazy lately. I could make excuses about the weather or some-such, but I’d be spouting bollocks so, I’m not going to place a blame. I guess sometimes, we just need a little break from the – constant thinking? I don’t know if I am making any sense here but I promise, I’m not writing for the sake of it. 

For me, the real enjoyments of photography come from many aspects. It’s so engaging when you would want it to be, so technical in thought and deliverance at other times and yet, so passive and relaxing on occasion, too. Depending on any given genre, expectations, deadlines, or presenting difficulties, all are true. If you are yourself an enthusiast, you will know this already. But at the heart of every image is me, you, and how we see. I love to look; and see; and interpret; and steal a frame. What I don’t love – is to always feel like I’m overthinking because then, at some uncertain, invisible point of effort, a line gets crossed and, I don’t always enjoy it so much – especially when that line is completely bulldozed. Indeed, on such occasions, I can take a whole load of shit and know that I have before I have even depressed the shutter. Yet I do it anyway – like shutter-finger Tourette’s  Syndrome (hereafter referred to as SFTS). Damn, I hate it when I do that because not least, I know I’m just going to spend more time at home, after upload, deleting the crud. 

Most often, I find that when I’m making shots for the fun of it, with no actual goal in mind, when I don’t care so much about focus, or content – I tend to make images that I like, nevertheless. In opposition, as we all have – I have put so much effort and thought into a particular shoot or subject and come away with so much utter crap, it could make me cringe at the knowledge that my own brain decided that that capture was a good idea. Really? 

With all of this preamble out of the way, I decided, with plenty of time to kill today and, though the weather was not playing ball (I was hoping to get a little more of a tan on my chrome-dome – uh… no!) – to faff around with my favourite body & prime combo and, make a few frames; just to see what I might come away with. No, given the images I have posted here, you’d be forgiven and absolved for thinking that I have actually been yapping on for the sake of it, because technically these images are not fabulous, or varied. They are indeed unimaginative, poorly composed, a tad soft, but do you know what? Today, I don’t care. Today, I made some photographs; and I like ’em! Moreover, I hope you will too. Yes, I shot close without a tripod – I was chilling

By the way, the first image in this post is great in colour, because it really looks to me like a camouflage-act and, it may have been, in the mind of the Hoverfly. I wasn’t going to post it in colour because I really do prefer the mono-shot (moreover because I have genuine dislike for the colour orange for some barmy reason that I can’t explain) – but I caved in, and have included it at the end of this post. You’ll see what I mean when you get there, if, that is, you haven’t nodded-off already. Okay – time to wake up. It’s picture time!) Thanks so much for reading and I hope you have a great week ahead. 

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Montbretia & Hoverfly | 50mm – Handheld.

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Montbretia | 50mm – Handheld.

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Camouflage? | 50mm – Handheld.

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[There’s a photographer in India called Rajeev Virmani – he makes some beautiful environmental flora photographs and I have to say, he has nowhere near enough followers for the work he puts in and puts out here on WP. Please, if you like the genre, do take a look at his images. He has an intimate and opportunistic approach that may well appeal to many. I don’t know him but I do love so many of his images. If you have a little time, you may enjoy a peek!]


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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