Caerlaverock Castle | 720nm Infrared | PT.I | 35:Chronicle

35mm, black & white, infrared, landscape, personal, photography, ruins, rural, skies, structures, trees

Crutches.


When things turn for the worst, we all need some kind of crutch to get us through – something (or things) that we can truly lean on. There’s no subtle message here, though. Besides the obvious, it’s not only been the sticks that have got me on my feet again. Though it was only the beginning, the end of April was a horrifying time for me and I have had no end of support from so, so many people. Friends, work friends and colleagues, healthcare professionals, family and of course, my love and my rock, Angela. I owe so many – so much.

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I.

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On the inside though, it has been imperative that I am and remain as positive as I  can possibly be and this is why, in writing this short post, I remember and continue to appreciate the support, care and love of every single person to have been here for me and, for those especially – who remain. No, I am not yet out of the woods, but I can see a clearing. Without every single iota of support that I have received over the last almost fifteen weeks, I am certain that I would not be in such good spirits, nor as motivated and hopeful as I unquestionably feel. The reason I’m writing these words, is this: these pictures of the beautiful Caerlaverock Castle are extremely important to me for one huge reason – they are the first outdoor pictures I photographed since the latter part of April.

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II.

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If photography was not another of my crutches, my loves, I don’t know what else I might have leaned upon to get me back out there, and so, with even the minutest support of every single person who helped to get me back out there and the love, support and patience of a very special woman, I was indeed able (after only eight weeks) to make these frames. I get almost tearful when I view them. The afternoon I made these was a struggle for sure – but it never was going to be just about getting a few pictures. Every single person around me – helped me to make them.

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III.

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In two words: thank you!

R.

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Morton Castle: Reprise | PT.II | 35:Chronicle

50mm, black & white, landscape, nature, photography, ruins, rural, skies, structures, trees

Clouds (& Their Silver Linings).


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IV | A Morton Kind of Mood.

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V | King of Clubs.

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VI | Proud.

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Morton Castle: Reprise | PT.I
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Morton Castle: Reprise | PT.I | 35:Chronicle

50mm, black & white, landscape, nature, people, personal, photography, ruins, rural, structures, trees

Wind & G.A.S are Not the Same.


I seem to have developed (no pun intended) a propensity for posting late at night, recently – probably because I am still taking regular daytime naps to get me out of pain and it’s better than woofing the narcs that I’m currently prescribed. So, I am more awake at night than I am for most of the day, just lately. It’s not an impossible cycle and I’ll shake it soon, I know. Truthfully, I am feeling great presently and am looking forward to getting truly back to life and furthermore, I am  no longer having to endure most of the awful side-effects of the drugs, some of them rather embarrassing to say the least but, nonetheless, on grounds of utter propriety – unmentionable. A clue could be in the sub-heading, I guess. (If you read on with your tongue in your cheek – that’d be better than taking the rest too seriously. Stuff just – happens, you know?)

Onwards.

Back in February, I visited Morton Castle on a day which initially promised gorgeous blue skies inset with a clear and bright low winter sun – ideal for some IR shots of this utterly beautiful ruin. That was at around the time we had set orff! By the time we arrived, however, the clouds had moved in and the rain (known in Scotland as ‘smirry‘ – fine, light drizzle, really) began to descend and I ended up shooting the whole lot with my standard X100T. (See post I of III – here). There would be no infrared frippery on this particular day. No matter, but with that said, I wasn’t completely happy with the frames I came away with; compositionally I was very happy, but the ‘T’ buggers about with micro-contrast and smears finer details to the point where I just couldn’t live with it. A beautifully usable camera, fabulous lens but, it had to go. Either my software didn’t like its RAWs or, there was simply something about the ‘T’ that seemed to no longer agree with me. At all. Maybe I simply outgrew it, which may have been different if they’d kept the sensor from the very first X100. (Now that one was a peach!) I digress. 

Within just over two months of those initial shots at Morton, I found myself incapacitated, hospitalised, and then convalescing flat on my back for the following two and a half months with around eight or nine fractures to my spine, ribs and foot, a little internal bleeding and more pain than I could have comprehended possible at that time. What else was I to do to cheer myself up – other than to buy a new camera? Apart from the obvious things, photography was right up there on the list of things I was missing the most. Probably joint second, I’d say. I knew I wouldn’t be able to shoot it right away but I could spend weeks familiarising and reading up on it’s features so that when the day came where I could get out and play with it, I’d be more than ready; and so, that’s what I did. I bought the camera I have spent the past five years or so drooling over and, buggered the expense sideways. After all, I might not have even existed anymore – I jest not when I say that it really was that close, at the time of the incident. Hang it all. The Df arrived within a couple of days and the ‘T’ was history. I felt no remorse or pain. Not even a twinge. Move on. 

It’s not really G.A.S (gear acquisition syndrome) though – I guess that I have enough equipment to shoot pretty much any way I choose to. No, this was about something different entirely. I no longer wanted a camera that would mess about with the detail during shot processing, even in the RAWs – just a tool that would record what it sees and let me decide on output. Full-frame or not, I couldn’t care less (apart from the fact that this thing shoots clean even in the (photographically speaking) dark) – but I have been proved that I waited five years too long. What a plonker. But this isn’t a review (yawn!) – I only wish to post up my first frames from it, taken on a day that started out dismal, and pretty much remained that way, just last week. Low photographic expectations led me to something I didn’t expect – I love these frames, but not as much as being out there again. Despite the clouds, it was the finest of days. For life and, for loved ones.

I hope you’ll enjoy these.

R.

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I | Across Morton Loch.

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II | Brothers.

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III | [A Bit of] Morton Castle.

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This post is so gratefully dedicated to everyone who has been here for me in deed, word, or thought over the past couple of months – colleagues, friends, healthcare professionals, well-wishers and fellow bloggers and, most lovingly dedicated to my loved ones, whose patience, warmth and love know no conceivable bounds. Lucky isn’t the word.

To my Angie, to Corbs & to Flynn. X

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Postcards from the Recovery Position | PT.I | 35:Chronicle

black & white, Indoor, infrared, landscape, personal, photography, ruins, rural, structures

Drumcoltran Tower [PT.I]


Okee doke, a little explanation is required here because my absence has been a little more protracted than I would have liked, of late. 

Two weekends ago, I was involved in a rather serious accident while at work and found myself admitted to hospital. Details aren’t important but I can say that I am very lucky to be alive. My injuries however, are serious enough that I am required to remain in bed and, after a week in hospital, I am now at home, in the same position, where I must stay for the foreseeable weeks ahead. 

Before I had returned to work however, during a number of beautiful days-off, I made the most of the sunshine and, with A, visited a good number of places, made an even better number of frames and, consumed regularly – copious cups of Earl Grey tea, locally made cakes and the occasional ice-cream too. With all of this noted, all of the frames I will post over the next few weeks are from the vault; a recently replenished vault, and, I am glad of it because the chance of me getting out to make photographs within the next six weeks or so, is looking so slim as to render it invisible, at least from a side-on perspective. 

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I | Drumcoltran Tower | 720nm Infrared | 35mm.

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Drumcoltran Tower is situated in SW Scotland between Beeswing (Bees-wing as opposed to Bee-Swing; though the latter image may be rather humorous, nonetheless)  and Kirkgunzeon (pron: kur-gun-y’n) and is integrated now into a modern farm. It’s not very well signed and until you approach the junction that leads to it, it’s not signposted at all. But it’s so worth finding. 

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II | Mother Nature as Projectionist | 21mm.

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From the outside, it looks rather uncomplicated, not all that exciting, as other structures from its era might appear, and one would be fooled into thinking that a five-minute exploration would more than enough. I was fooled, because once we entered the tower, we didn’t leave for another ninety minutes or so. Over the next four or five posts, I hope to show just why this externally (comparatively) nondescript treasure of Scotland, captured my imagination. 

It’s good to be back and, I do hope that you’ll enjoy these first few frames of and, from this early 16th century beauty.

R.

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III | Enjoying the Views [One Must Keep His Spirits Up!]| 21mm.

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Drumlanrig Castle [720nm IR] | PT.III | 35:Chronicle

35mm, black & white, infrared, landscape, photography, rural, structures

The Last of the First | Ricoh GR Infrared.


To say that I love shooting with an IR-converted GR is an understatement. As Drumlanrig has been its initial proving-ground, I know all too well that I will have to return when spring has worked its magic, and the leaves have returned to complete the effect. More than likely, I will also be looking to compare outputs between this wonderful conversion and, my converted X100 – I know already it’ll be a very close call. Furthermore, as the gardens to the house will soon be open again to the public (on my recent visit, the groundsmen were working furiously to prepare them) I feel extremely excited to know that I will have much more time here, to explore again – and yes, shoot to my heart’s content, should conditions be fair. Hopefully, photographically speaking- I will be able to do this place much more justice. I’m not there yet, but my shutter-finger is twitching already at the prospect; and my impatience is becoming increasingly apparent. Anyway, I hope you’ll enjoy these two frames as much as I have. 

R.

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V | Drumlanrig Castle | 720nm IR | 35mm Internal Crop / 4:3 – 250th – f8 – ISO:100

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VI | Lined | 720nm IR | 35mm Internal Crop / 4:3 – 125th – f7.1 – ISO:100

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Drumlanrig Castle [720nm IR] | PT.II | 35:Chronicle

35mm, black & white, infrared, landscape, photography, structures

Pilgrim’s Progress | Ricoh GR Infrared.


III | Drumlanrig Castle, Thornhill | 720nm IR | 35mm Internal Crop / 4:3 – 125th – f8 – ISO:100

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IV | Drumlanrig Castle, Thornhill | 720nm IR | 35mm Internal Crop / 4:3 – 180th – f8 – ISO:100

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Ricoh GR | You Can Call Me – ‘Jack’ | 35:Chronicle

black & white, close-up, colour, full-spectrum, Indoor, infrared, landscape, macro, nature, night / low-light, personal, photography, review, ruins, structures

Photographic ‘Mechano‘? | A Few More Nuts & Bolts.


Two very special cameras have made up the mainstay of my shooting arsenal over the past eight years; the Fujifilm X100 (the debut, the ‘S’ and, the ‘T’) and, the Ricoh GR (also, the GR II). The model numbers don’t really make much of a difference to me because it’s all about how they allow me to work when I’m making pictures. Furthermore, my joy of them has nothing to do with button layouts, menu-order, online reviews, or much else either. It’s really all about the ability to carry a portable, capable and an ever more familiar set-up that produces very workable digital negatives shot through focal-lengths that I prefer the most. Shooting with shorter focal lengths has been my passion for a good number of years now, ever since I made the decision to give up on larger systems and telephoto lenses. That decision itself came from a notion that being out of range didn’t make me a better photographer at all – it wasn’t brave and, I always felt like I was on the outside looking in, instead of immersed in the process. That’s why I ditched the longer lenses. Simple. I wanted to learn more about photography and could no longer find satisfaction from picking-off frames from a distance – no matter how attractive I found focal-plane-to-background separation. The change was swift and, sharp.

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I. | Sir Duncan Rice Library Building – University of Aberdeen.

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After a few years with the Fuji-X I wanted something a little smaller for my pocket, for those days we all hanker for at one time or another – when we can grab the shots without carrying the bag as well; not a replacement as such, but a complement to my existing camera(s). By that time, I was completely hooked on shorter focal-lengths, the immersive experience of making pictures with them and that was when I bit the proverbial bullet on a GR – a camera that has been in my bag or my pocket for almost six years, no matter what else I have been shooting alongside it. Now, you may think that this is going somewhere a little bit too romantic and, you might be right. You see, out of every piece of equipment I have ever shot with over the last twenty-plus years, Ricoh’s GXRs and GRs have been my absolute favourite to use. The GR however, (even for all of the APS-C variants of the GXR) – tops the lot. I have no issue with admitting that the GR is (digitally speaking) the best, most customisable, usable camera with which I have ever made pictures. But the oddity in all of this is that – it just got even better. I’m not talking of anything Ricoh has done to it or, for it. It’s simply that as well as my standard model, I now have another, converted to split-spectrum with an internal 450nm filter. This might not sound like a big deal (especially if you’re more a colour enthusiast or just not a fan of black and white photography) but bear with me, and you’ll see that it actually – is.

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II. | Kinclair Viaduct.

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My first foray into split-spectrum and true full-spectrum happened when I had received a converted A16 unit for my old GXR a few years ago and, with that one unit, I was able to reduce issues of low-light black and white photography and shoot any alternative wavelengths that I chose to – usually near-infrared around the 720nm mark. In truth, my main love for a split-spectrum converted camera lies in the ability for me to choose different IR wavelengths as my base, when shooting, though primarily, I stick to 720nm (give or take around 20-30nm) – as I have done for the last twelve or so years. But it’s lovely to have the latitude when it’s needed. If any of you browsed through my images of St.Giles’ Cathedral in Edinburgh, late last year, you will notice, if you look, the clear benefits of shooting indoors with a split or full-spectrum converted camera as, such a set-up effectively doubles the shutter speed because the amount of wavelengths and subsequently, available light, is also doubled. For this kind of photography, black and white is really the only option (unless you’re into really funky colours and peculiar white-balance) and if you’re happy with this, you’d be even happier at the reduced (or complete absence of) camera / motion blur in your shots, not to mention the huge amounts of extra detail in the blacks and shadows.

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III. | St. Gile’s Cathedral – Edinburgh [Full Spectrum – Handheld].

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Now, a small admission. Originally, when I started drafting this post, my intention was to write some kind or report or, review, about my newest acquisition in the 450nm GR. But as that camera is only half of my story, I have decided to be more – general and, as my title suggests, I do consider the GR to be the most customisable camera I have ever had the pleasure of getting my hands on. The mere fact that I now have two of them, both set-up in completely different ways, for alternative shooting requirements, will bear this out. The fact that I have most of the accessories available for them, is also a factor in their importance in much of my work because, by and large, I don’t go in for huge amounts of add-ons for my gear and, prefer to keep weight down instead. But as weight is not really an issue with a camera so compact, I allowed myself to indulge in order to make them as useful as possible, to me. As well as both cameras, one standard and one converted, I also have three GH-3 filter adapters. On one, I have the IR 720nm filter, on another – a C-PL and on the third, a +10 close-up filter for a little extra macro. Having each filter mounted on separate adapters allows me to very quickly swap-out filters between cameras with just a click & twist. Obviously, the R72 filter adapter only gets exchanged with the +10 if I’m going to choose close-up work in IR or split-spectrum, but the C-PL can be swapped out for either of the other two, because as I have discovered, the standard GR set-up is also receptive to IR wavelengths with no hot-spotting, giving the shooting process a natural ND sequence. So, for long exposure IR imagery, the standard GR handles infrared rather well indeed. (I will do my best to show this as artistically as I am able, during the summer). With the addition of the GW-3 wide lens (which is pretty special, I must say) I can add a 21mm repertoire to each set-up at will, with custom functions set for (35mm) crop-mode and conversion-lens use, on each camera; not to mention the ability to set each of the unit’s three custom modes, for different set-ups. The fact that I love the GR’s output is the reason I shoot with it in the first place but, coupled with its mechano-like, Swiss Army-Knife tendencies – I really don’t feel like I’m missing out on anything for wide shooting, or – much else, for that matter.

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IV. | Bluebell.

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Of late, I have found myself preferring 4:3 output straight from the camera and have noted a benefit to this also, in post. The GR’s lens has a certain amount of natural light fall-off (vignetting) in the corners (especially when shooting at its native 28mm with front-mounted filters) and shooting at 4:3 reduces this somewhat unappealing effect by cropping out the far-lateral sides of the sensor. Added to the fact that 35mm is my preferred focal-length, this internal crop-mode when utilised alongside the 4:3 option, reduces fall-off further, while still providing me with a fairly respectable 9mp RAW file for processing, minus the rather noticeable fall-off. Again, many quick functions are simple and quick to set-up and I also have a ratio option on my adjust lever as well as 28/35mm crop on the effects button at the side of the camera. There’s not really a whole lot more that I can say of the 450nm converted camera, per se – it is what it is and as long as it’s raison d’etre is realised and understood, it’s an extremely useful tool for low-light, indoor photography where crushed blacks aren’t desired but organic detail is. For me – it’s there for IR in the main. But that’s just me. I still need my bag, of course – but even so it weighs next to nothing and, my bases are all covered.

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V. | Church Ruin [720nm Infrared].

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The GR has mostly been heralded as the ideal street camera to have, and I will not argue this. But what has not been extolled, as far as I am able to discover for myself, is that it can do so much more than street-photography; decent macro (with or without external filter assistance), landscape, environmental, urban exploration, and even alternative wavelength, I don’t think there’s much this thing can’t do. I have probably harped on enough now about this camera but I so want anyone who is truly interested, to know just how much a little camera can do in hands attached to a mind that wants to truly explore photographic possibilities.

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VI. | Horse-Chestnut [Sticky] Bud.

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The GR III is soon to be released in the UK (note: this post was published in early March 2019) – and I know right now that I won’t be buying one at any time in the near future. The main reason that I keep my Fujis is because of their handling, their viewfinders and the lovely files that I get to make with them. Insosaying, (because its screen can be rather hard to see in sunlight) if the new GR had been designed and built with a finder (a la pop-up EFV on Sony’s RX100 MK3 and onwards) then I doubt that the X100/IR or the ‘T’ would get much handling. If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?

R.
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Views from a Ridge | PT.IV | 35:Chronicle

28mm, black & white, infrared, landscape, photography

Portrait of Talla. 

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Small Beginnings | 28mm – 760nm Infrared.

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Morton Castle Ruins, Scotland | PT.III – Finale | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Its Place in Time.


At the risk of posting somewhat predictably of late, I can safely say that this is to be the last in my recent series of images taken at Morton. Since visiting, despite the awfulness of the weather and light-conditions at the time, it should be of no surprise that I fully intend to return to the ruins as soon as I possibly can; hopefully when conditions are far more conducive to my intentions, perhaps. Such a place is somewhat of a rarity – though local landscapes are abound with dilapidated historical and dare I say, romantic relics, however, Morton has a situation, a place-in-time so to speak, that can render one utterly speechless simply for the sight of it. Though I did try to capture the site from a number of angles and perspectives which might express just how romantic this place is, I know that I can do better. Finer weather would be a real treat, though. Yes, I shall certainly return – and, it won’t be a day too soon. 

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VII. | Morton Castle & Loch | 35mm.

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VIII. | East-Side D-Turret | 35mm.

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IX. | East-Nor-East [II] | 35mm.

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I very much hope that you’ll have enjoyed this series. 

R.


(For more images in this series, simple click on the ‘morton castle’ tag.)
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Morton Castle Ruins, Scotland | PT.II | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

Solitude.


Occasionally, words only serve to get in the way. 

R.

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IV. | Morton Castle | 35mm.

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V. | Morton, from the Dam [II] | 35mm.

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VI. | Westerly, over Morton Loch | 35mm.

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(For more images in this series, simple click on the ‘morton castle’ tag.)
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Morton Castle Ruins, Scotland | PT.I | 35:Chronicle

35mm, black & white, landscape, photography, ruins, structures, waterscape

For E.J. Dexter, et al.


Merely a name – painstakingly, thoughtfully carved into a door that is certainly nowhere near as old as the ruins themselves, still, looking at every carving – it is eery to almost feel the presence of so many visitors (perhaps even occupants) from the past. Morton Castle dates back to the 12th Century and, has been deconstructed, burned down, rebuilt and, has changed hands (and purpose) a good number of times in its long history. Much of that may have been well documented, however, there remains much mystery still about the place.

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I. |  Scores on the Doors | 35mm.

Morton Castle, Nr.Thornhill

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It will be all too apparent that I love old, ancient, historical buildings. Mostly though (in my laziness I suppose) it’s mainly a structural interest, a personal fascination owed to the immense ingenuity and graft (and time) that has been used or spent to create such unbelievable places, observing their spaces and  surroundings – even feeling their purpose. Yes, Morton has true presence. On arrival, the weather was probably of the worst kind for making photographs – I would not be capturing in infrared today. The sky, a heavy grey, the drizzle constant and, the clouds were getting lower over the nearby hills; but, my word – what an atmosphere. Like a child in a proverbial sweet-shop, I flipped constantly between excitement and fascination as I tried to take it all in. My brain couldn’t absorb it quickly enough; and the rain, though with small pockets of respite, was getting a tad heavier. 

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II. | Morton, from the Dam | 35mm.

Morton Castle, Nr.Thornhill

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On the east side of the ruin, at the base of the mound upon which it sits, is situated a dam that was built around the early 19th century, to purposely flood what was then marshland, in order that Morton Loch could be created and, it surrounds the site on three of its sides. Thus, in its elevated position, surrounded by some of the most spectacular scenery and calm waters, even the dullness of the day could not spoil a single part of it. The only sounds to be heard were those of gentle breezes, the occasional oyster-catcher in the distance and, regular footfalls in the thick, sodden grasses. The fact that my camera was catching water from the persistent light rain did not deter me either. I honestly think that I would have sacrificed it just to get the shots that I did. With not another soul within miles, the isolation felt truly breath-taking and, on a finer day – I will (happily) spend many, many hours here. Nonetheless, the moodiness of the day lent its artistic hand to Morton’s space, a new beat in my chest that instils passions renewed and, a fierce anticipation of returning.

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III. | East-Nor-East | 35mm.

Morton Castle, Nr.Thornhill

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Perfectly ‘Scotland’? On a day such as this – yes, most certainly!

I do hope that you enjoy this, my first instalment of Morton Castle – it’s a very special place to which I am sure very few photographs can possibly do justice. (For more images in this series, simple click on the ‘morton castle’ tag.)

R. 

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A Stop-Gap, Perhaps? | 760 & 715nm Infrared | 35:Chronicle

black & white, infrared, landscape, photography

Either Side of 35.


As I am now on the verge (pardon the pun, please?) of re-commencing my photographic passions with entirely different systems, both of which feature fixed 35mm (FoV) lenses, I thought it might be nice to reflect a little on the two IR systems that I enjoyed last year. Both of them are either side of 35 and, of different wavelengths to the 720nm I will from here-on, be concentrating – and, my anticipation of getting back out there is again heightened by such reflection. 

These few frames were taken around Megget Water; either of, from or, towards Megget Dam, (not far from St. Mary’s Loch) in South West Scotland – during July of last year. Most frames that I had posted of Megget last year concentrated mainly on the reservoir itself, but there are clearly other views. I simply cannot wait to go back in the spring. I might even remember to pack my heaviest tripod and a Big-Stopper, next time! 

R.

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I | From | 28mm | 760nm Infrared.

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II | Towards | 50mm | 715nm Infrared.

35chronicle.106 (2)

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III | Of | 28mm | 760nm Infrared.

35chronicle.106 (3)

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Land-Escapery | PT.IV | 35:Chronicle

infrared, landscape, photography

Onwards | 720nm Infrared.

The second day of this year was as beautiful as the first and, it would have been impossible for me to have remained indoors. Little did I know at the time though, that these images would be among the very last that I would capture using my faithful GXR systems – the lenses and alternative wavelength conversions that I have been using for the last six or seven years, at least. But I have decided upon two courses of action for this year. I want to lighten my bag and, I want to take things back to what I initially intended these pages to share my enjoyment of. The 35mm FoV, to be succinct. 

I have enjoyed, very much, not limiting myself to one field of view, but on the other hand, I don’t feel that I have learned much either by allowing myself such leeway and, I am beginning to crave limitation again; and to push myself further. I’ll still be shooting IR (try to stop me!) but will concentrate on 720nm, along with my visible-light set-up. New year, new tool-set, as my good friend put it. I know there’ll be frames I’ll miss, but, no matter what FL lens is mounted, there always will be. So, for this year, I’m scaling back in order to move forward. 

Onwards.

R.

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I | A Kind of Crossroad? | 720nm IR.

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II | On a Breeze | 720nm IR.

35chronicle.104 (2)

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2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

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Snowdrops | 35mm.

35Chronicle.001 (31)

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Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

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Double-Masted | 720nm Infrared | 35mm.

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Bluebell | 35mm.

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Broom | 35mm.

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Milkbank House Ruins | 760nm Infrared | 28mm.

35chronicle.042 (4)

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Talla Reservoir | 760nm Infrared | 28mm.

35chronicle.057

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Talla’s Monitoring Station | 720nm Infrared | 50mm.

35chronicle.062 (3)

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How the Other Half Live | 720nm Infrared | 35mm.

35chronicle.079 (2)

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Sir Duncan Rice Library | University of Aberdeen | 28mm.

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Moonrise | 720nm Infrared | 85mm.

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Grandeur | 35mm.

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Happy New Year 2019, to You All!

R.


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Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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Memories: Of Longer Days | 720nm Infrared | 35:Chronicle

black & white, infrared, landscape, photography

As the Winter Solstice Approaches.


Already, I miss the higher sun, the longer days and, of course, my photo-walks around this rural haven that I call home. These few frames were among the last infrared captures I had made not too many weeks after the segue from summer, to autumn. Yes, I do miss my IR walks. The sun, the warmth, the solitude and, the searching – for the almost ethereal – are to me, those things that I enjoy most about it. As I look forward to next year’s spring, I shall embrace these shorter, darker, colder days – for their own challenges will become my own; but, I long for the light. If only to see scenes like these through my viewfinder again. 

R.

I | Repentance Tower.

35chronicle.096 (1)

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II | Ploughed.

35chronicle.096 (3)

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III | Above & Beyond.

35chronicle.096 (2)

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HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
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