Postcards from the Recovery Position | PT.V | 35:Chronicle

35mm, black & white, Indoor, nature, photography, portraits, still life

One Temperate Heart.


A little over three weeks into my recovery and I still have a long road ahead. Without labouring any point as to how I got into this position in the first place (you’ll have to read PT.I if you want the most basic of gists) I am at home, being well cared for by my Angie, and, when I have the opportunity (in other words, when she agrees that I’m fit and steady enough to move around a little and not completely doped on opioid pain relief and tripping over my crutches) – the first thing I still want to do (remember: this is a public forum, kids!) is, to make photographs. 

During my second week at home, I was able to do just that from my bedside and, as a way of reiterating that things could definitely be worse, I share these few frames with you all. I am missing some glorious spring sunshine but, it’s not going to stop me. I must keep moving. 

Warmth, Gratitude & Love.

R.

*
I | From Friends.

35chronicle.143 (1)

*
II | Introducing Charlotte the Red, by Window Seat (Don’t Ask!)

35chronicle.143 (3)

*
III | Angie – After Fluffing-Up my Pillows.

35chronicle.143 (4)

*
IV | From Friends & to Friends.

35chronicle.143 (2)

*
All Frames: Ricoh GR | 35mm [APS-C Internal Crop at 4:3]
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
35:CHRONICLE ON FACEBOOK
*
Advertisements

Angie | An Impromptu Portrait Sesh’! | 35:Chronicle

35mm, black & white, Indoor, people, photography, portraits

It’s About Time(s).


It’s been around five years since I made any serious portraits and, it goes without saying that after shooting almost nothing but faces for over five years up to that point, I have been missing the genre more and more, as the years have ticked by. With this is in mind, I decided upon a course of action which, seems to me perfectly timed. Despite my recent predicament, rendering me almost useless, physically, my partner agreed to help me with an interior set-up with a view to sitting for me, for a short shooting session. My ulterior motive should be clear however, for, during my previous week-long hospital stay and, at home too over recent weeks, she has barely left my side for even a moment. I could never have expected such unquestionable devotion and yet, every day, I have it. In spades. 

So, as a way of giving something back, my most heartfelt gratitude for time spent and, that which is yet to be – here’s my little gift of a few preserved moments in time. It’s the best I can offer for now. 

Introducing – my beautiful Angie-Bee. (Another huge reason for me to know what a lucky sod I am.) I hope you’ll enjoy these few frames.

R. 

*
I.

35chronicle.142 (1)

*
II.

35chronicle.142 (4)

*
III.

35chronicle.142 (2)

*
IV.

35chronicle.142 (3)

*

[Equip: X100T | Daylight & Single Spotlight Mix | Two Crutches and Pain-Relief!]

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
35:CHRONICLE ON FACEBOOK
*

Postcards from the Recovery Position | PT.I | 35:Chronicle

black & white, Indoor, infrared, landscape, personal, photography, ruins, rural, structures

Drumcoltran Tower [PT.I]


Okee doke, a little explanation is required here because my absence has been a little more protracted than I would have liked, of late. 

Two weekends ago, I was involved in a rather serious accident while at work and found myself admitted to hospital. Details aren’t important but I can say that I am very lucky to be alive. My injuries however, are serious enough that I am required to remain in bed and, after a week in hospital, I am now at home, in the same position, where I must stay for the foreseeable weeks ahead. 

Before I had returned to work however, during a number of beautiful days-off, I made the most of the sunshine and, with A, visited a good number of places, made an even better number of frames and, consumed regularly – copious cups of Earl Grey tea, locally made cakes and the occasional ice-cream too. With all of this noted, all of the frames I will post over the next few weeks are from the vault; a recently replenished vault, and, I am glad of it because the chance of me getting out to make photographs within the next six weeks or so, is looking so slim as to render it invisible, at least from a side-on perspective. 

*
I | Drumcoltran Tower | 720nm Infrared | 35mm.

35chronicle.138 (3)

*

Drumcoltran Tower is situated in SW Scotland between Beeswing (Bees-wing as opposed to Bee-Swing; though the latter image may be rather humorous, nonetheless)  and Kirkgunzeon (pron: kur-gun-y’n) and is integrated now into a modern farm. It’s not very well signed and until you approach the junction that leads to it, it’s not signposted at all. But it’s so worth finding. 

*
II | Mother Nature as Projectionist | 21mm.

35chronicle.138 (1)

*

From the outside, it looks rather uncomplicated, not all that exciting, as other structures from its era might appear, and one would be fooled into thinking that a five-minute exploration would more than enough. I was fooled, because once we entered the tower, we didn’t leave for another ninety minutes or so. Over the next four or five posts, I hope to show just why this externally (comparatively) nondescript treasure of Scotland, captured my imagination. 

It’s good to be back and, I do hope that you’ll enjoy these first few frames of and, from this early 16th century beauty.

R.

*
III | Enjoying the Views [One Must Keep His Spirits Up!]| 21mm.

35chronicle.138 (2)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
35:CHRONICLE ON FACEBOOK
*

 

Ricoh GR | You Can Call Me – ‘Jack’ | 35:Chronicle

black & white, close-up, colour, full-spectrum, Indoor, infrared, landscape, macro, nature, night / low-light, personal, photography, review, ruins, structures

Photographic ‘Mechano‘? | A Few More Nuts & Bolts.


Two very special cameras have made up the mainstay of my shooting arsenal over the past eight years; the Fujifilm X100 (the debut, the ‘S’ and, the ‘T’) and, the Ricoh GR (also, the GR II). The model numbers don’t really make much of a difference to me because it’s all about how they allow me to work when I’m making pictures. Furthermore, my joy of them has nothing to do with button layouts, menu-order, online reviews, or much else either. It’s really all about the ability to carry a portable, capable and an ever more familiar set-up that produces very workable digital negatives shot through focal-lengths that I prefer the most. Shooting with shorter focal lengths has been my passion for a good number of years now, ever since I made the decision to give up on larger systems and telephoto lenses. That decision itself came from a notion that being out of range didn’t make me a better photographer at all – it wasn’t brave and, I always felt like I was on the outside looking in, instead of immersed in the process. That’s why I ditched the longer lenses. Simple. I wanted to learn more about photography and could no longer find satisfaction from picking-off frames from a distance – no matter how attractive I found focal-plane-to-background separation. The change was swift and, sharp.

*
I. | Sir Duncan Rice Library Building – University of Aberdeen.

35chronicle.087 (4)

*

After a few years with the Fuji-X I wanted something a little smaller for my pocket, for those days we all hanker for at one time or another – when we can grab the shots without carrying the bag as well; not a replacement as such, but a complement to my existing camera(s). By that time, I was completely hooked on shorter focal-lengths, the immersive experience of making pictures with them and that was when I bit the proverbial bullet on a GR – a camera that has been in my bag or my pocket for almost six years, no matter what else I have been shooting alongside it. Now, you may think that this is going somewhere a little bit too romantic and, you might be right. You see, out of every piece of equipment I have ever shot with over the last twenty-plus years, Ricoh’s GXRs and GRs have been my absolute favourite to use. The GR however, (even for all of the APS-C variants of the GXR) – tops the lot. I have no issue with admitting that the GR is (digitally speaking) the best, most customisable, usable camera with which I have ever made pictures. But the oddity in all of this is that – it just got even better. I’m not talking of anything Ricoh has done to it or, for it. It’s simply that as well as my standard model, I now have another, converted to split-spectrum with an internal 450nm filter. This might not sound like a big deal (especially if you’re more a colour enthusiast or just not a fan of black and white photography) but bear with me, and you’ll see that it actually – is.

*
II. | Kinclair Viaduct.

35chronicle.030 (4)

*

My first foray into split-spectrum and true full-spectrum happened when I had received a converted A16 unit for my old GXR a few years ago and, with that one unit, I was able to reduce issues of low-light black and white photography and shoot any alternative wavelengths that I chose to – usually near-infrared around the 720nm mark. In truth, my main love for a split-spectrum converted camera lies in the ability for me to choose different IR wavelengths as my base, when shooting, though primarily, I stick to 720nm (give or take around 20-30nm) – as I have done for the last twelve or so years. But it’s lovely to have the latitude when it’s needed. If any of you browsed through my images of St.Giles’ Cathedral in Edinburgh, late last year, you will notice, if you look, the clear benefits of shooting indoors with a split or full-spectrum converted camera as, such a set-up effectively doubles the shutter speed because the amount of wavelengths and subsequently, available light, is also doubled. For this kind of photography, black and white is really the only option (unless you’re into really funky colours and peculiar white-balance) and if you’re happy with this, you’d be even happier at the reduced (or complete absence of) camera / motion blur in your shots, not to mention the huge amounts of extra detail in the blacks and shadows.

*
III. | St. Gile’s Cathedral – Edinburgh [Full Spectrum – Handheld].

35chronicle.103 (2)

*

Now, a small admission. Originally, when I started drafting this post, my intention was to write some kind or report or, review, about my newest acquisition in the 450nm GR. But as that camera is only half of my story, I have decided to be more – general and, as my title suggests, I do consider the GR to be the most customisable camera I have ever had the pleasure of getting my hands on. The mere fact that I now have two of them, both set-up in completely different ways, for alternative shooting requirements, will bear this out. The fact that I have most of the accessories available for them, is also a factor in their importance in much of my work because, by and large, I don’t go in for huge amounts of add-ons for my gear and, prefer to keep weight down instead. But as weight is not really an issue with a camera so compact, I allowed myself to indulge in order to make them as useful as possible, to me. As well as both cameras, one standard and one converted, I also have three GH-3 filter adapters. On one, I have the IR 720nm filter, on another – a C-PL and on the third, a +10 close-up filter for a little extra macro. Having each filter mounted on separate adapters allows me to very quickly swap-out filters between cameras with just a click & twist. Obviously, the R72 filter adapter only gets exchanged with the +10 if I’m going to choose close-up work in IR or split-spectrum, but the C-PL can be swapped out for either of the other two, because as I have discovered, the standard GR set-up is also receptive to IR wavelengths with no hot-spotting, giving the shooting process a natural ND sequence. So, for long exposure IR imagery, the standard GR handles infrared rather well indeed. (I will do my best to show this as artistically as I am able, during the summer). With the addition of the GW-3 wide lens (which is pretty special, I must say) I can add a 21mm repertoire to each set-up at will, with custom functions set for (35mm) crop-mode and conversion-lens use, on each camera; not to mention the ability to set each of the unit’s three custom modes, for different set-ups. The fact that I love the GR’s output is the reason I shoot with it in the first place but, coupled with its mechano-like, Swiss Army-Knife tendencies – I really don’t feel like I’m missing out on anything for wide shooting, or – much else, for that matter.

*
IV. | Bluebell.

35Chronicle.012 (2)

*

Of late, I have found myself preferring 4:3 output straight from the camera and have noted a benefit to this also, in post. The GR’s lens has a certain amount of natural light fall-off (vignetting) in the corners (especially when shooting at its native 28mm with front-mounted filters) and shooting at 4:3 reduces this somewhat unappealing effect by cropping out the far-lateral sides of the sensor. Added to the fact that 35mm is my preferred focal-length, this internal crop-mode when utilised alongside the 4:3 option, reduces fall-off further, while still providing me with a fairly respectable 9mp RAW file for processing, minus the rather noticeable fall-off. Again, many quick functions are simple and quick to set-up and I also have a ratio option on my adjust lever as well as 28/35mm crop on the effects button at the side of the camera. There’s not really a whole lot more that I can say of the 450nm converted camera, per se – it is what it is and as long as it’s raison d’etre is realised and understood, it’s an extremely useful tool for low-light, indoor photography where crushed blacks aren’t desired but organic detail is. For me – it’s there for IR in the main. But that’s just me. I still need my bag, of course – but even so it weighs next to nothing and, my bases are all covered.

*
V. | Church Ruin [720nm Infrared].

35chronicle.120 (2)

*

The GR has mostly been heralded as the ideal street camera to have, and I will not argue this. But what has not been extolled, as far as I am able to discover for myself, is that it can do so much more than street-photography; decent macro (with or without external filter assistance), landscape, environmental, urban exploration, and even alternative wavelength, I don’t think there’s much this thing can’t do. I have probably harped on enough now about this camera but I so want anyone who is truly interested, to know just how much a little camera can do in hands attached to a mind that wants to truly explore photographic possibilities.

*
VI. | Horse-Chestnut [Sticky] Bud.

35Chronicle.020 (4)

*

The GR III is soon to be released in the UK (note: this post was published in early March 2019) – and I know right now that I won’t be buying one at any time in the near future. The main reason that I keep my Fujis is because of their handling, their viewfinders and the lovely files that I get to make with them. Insosaying, (because its screen can be rather hard to see in sunlight) if the new GR had been designed and built with a finder (a la pop-up EFV on Sony’s RX100 MK3 and onwards) then I doubt that the X100/IR or the ‘T’ would get much handling. If the GR III is as good as it’s going to get, then I’m sorry Ricoh- you already got it bang-on with the first one – nuts, bolts, the lot. And I’m not moving. I mean, what would be the point?

R.
*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided.
*

 

Internal Affairs | PT.V | 35:Chronicle

black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.III.


This is to be the final part of my St. Giles series. In all honesty, I could have gotten way more value out of my £2 photo-pass that I purchased upon entry. I could easily have whiled away more hours here than the one that I did. Watching, looking, shooting, looking. The light was poor though, a very dull and overcast sky affording less quality and intensity through stained-glass – so diffuse that my fixed lens camera of choice made it much more difficult to grab a steady shot, the later the afternoon became. Insosaying, I grabbed my low-light camera. Actually, it’s primarily my weapon of choice for much of my IR compositions, but, removing the UVIR Cut filter from in front of the lens element, I was able to gather twice as much light as my primary, fixed-lens camera. Shot in true full-spectrum, capturing all available light (from UV-A through VIS to IR) renders even sharp details a little softer due to invisible lightwave pollution but I still think these make the grade. I hope you will enjoy these last few captures.  

R.

*
I | The Dark Exit.

35chronicle.103 (1)

*
II | Symmetry Divine.

35chronicle.103 (2)

*
III | Symmetry Divine [II]

35chronicle.103 (3)

*
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

2018 Photographic Review | 35:Chronicle

28mm, 35mm, 50mm, black & white, boats, close-up, colour, faux-colour, Indoor, infrared, landscape, macro, nature, personal, photography, review, skies, spring, structures, trees, waterscape

One Hundred to One.


Seeing as how this post happens to be my one hundredth, it’s actually ninety-nine into one . Since I began this blog back in March, I have also enjoyed the works and posts of so many of you and, if there could be more hours in a day, there would be many more besides, too, providing me with no less enjoyable learning, entertainment or, food for thought. I have also, over the last ten months, hoped to provide some interest in the field of photography, my own takes from various genres of our art-form which I feel so passionate about. Without the love for it, the desire to (hopefully) create something a little different on occasion or, the discipline to stay true, it’s all for nothing. Insosaying, I hope with all the passion that I have for various genres of photography, that my sincerity is not only intact but also, perhaps more importantly, unmistakably evident.

As this year now tick-tocks on to draw its last, making way for the next, I would like not only to thank you most sincerely for your input, your comments, clicks, follows and conversations, but to wish every one of you a very happy New Year for 2019. Your presence here is just as important as my own works, because without a reader, a word or a picture – would be pointless. Therefore, if you will forgive my indulgence, I would like to share with you all just some of my favourite frames from this inaugural year on 35:Chronicle.  I truly hope that you will enjoy them.

Wishing you all wonderful celebrations and, much happiness from the coming year.

Warmest regards,

Rob. 

*
Snowdrops | 35mm.

35Chronicle.001 (31)

*

Telford Woz ‘Ere! | 720nm Faux-Colour Infrared | 35mm.

35chronicle.037

*
Double-Masted | 720nm Infrared | 35mm.

35Chronicle.008 (2)

*
Bluebell | 35mm.

35Chronicle.012 (2)

*
Broom | 35mm.

35chronicle.029 (4)

*
Milkbank House Ruins | 760nm Infrared | 28mm.

35chronicle.042 (4)

*
Talla Reservoir | 760nm Infrared | 28mm.

35chronicle.057

*
Talla’s Monitoring Station | 720nm Infrared | 50mm.

35chronicle.062 (3)

*
How the Other Half Live | 720nm Infrared | 35mm.

35chronicle.079 (2)

*
Sir Duncan Rice Library | University of Aberdeen | 28mm.

35chronicle.087 (1)

*
Moonrise | 720nm Infrared | 85mm.

35chronicle.074 (1)

*

Grandeur | 35mm.

35chronicle.099 (2)

*

Happy New Year 2019, to You All!

R.


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

INTERNAL AFFAIRS | PT.IV | 35:CHRONICLE

35mm, 50mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.II


IV | Grandeur.  [X100T: 35mm – 1/12th – f2.8 – ISO:1600 – +0.7 – Matrix]

35chronicle.099 (2)

*
V | Light. [GXR A16 (Full-Spectrum): 85mm – 1/125th – f5.5 – ISO:1600 – Matrix]

35chronicle.099 (3)

*
VI | Blue II. [X100T: 35mm – 1/9th – f2.8 – ISO:1600 – +0.7 – Matrix]

35chronicle.099 (1)

*
VII | Lantern. [GXR A16 (Full-Spectrum): 50mm – 1/30th – f4 – ISO:1600 – Matrix]

35chronicle.099 (4)

*
(St. Giles’ – PT.I)
HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Internal Affairs | PT.III | 35:Chronicle

35mm, black & white, colour, full-spectrum, Indoor, night / low-light, photography, structures

St. Giles’ Cathedral – Edinburgh | PT.I


We’re all running short of time at this end of the year, so, let me say this off the bat in case you don’t have time yet to read to the end of the post – to all of you who read and follow my pages, I would like to wish you all a very happy Christmas and,  I extent my warmest thanks for your support, your comments and, your valuable time ever since I started my little blog, back in March. It’s been a superb journey thus far and, I hope to get at least one more post in before Hogmanay!

On Friday of last week, I had occasion to visit Edinburgh. As it’s that time of year again, I do like to get to Princes Street and do the whole Christmas Market thing, kind of a tradition and as I didn’t get to visit last year, I was very keen to get there before this Christmas kicked off, proper. Now, I resisted the temptation to shoot all things Christmassy so please do forgive me for the lack of tinsel, Santa-hats, seasonal pullovers, mistletoe and the like. Instead, I again only wanted to capture the feel of the place at this time of year. With that said, the images I have chosen for this post may feel a little off-piste or, at the very least, somewhat off-topic. The thing is, I’m not religious nor do I have any great love of this time of year, however, I do enjoy its essence, and – different things mean different things to different people. So, instead of capturing the shiny and commercial side of the season, per se, I decided instead to simply wander and shoot. 

*
I | Blue. [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

35chronicle.097 (1)

*

Sadly however, the weather was bloody atrocious, nothing but dull light, blanket grey skies and drizzle for most of it, which, made things a little tricky, as is oft’ the case under such conditions when you’re wielding a camera. I decided then, that West Parliament Square would be a great place to grab some serious frames – at the Cathedral of St. Giles. In my bag I carried two cameras – my X100T and, my Richoh (True Full-Spectrum converted) GXR – see my Light Waves page for more info on TFS if you’re not au-fait with it). The Fuji handled outdoors just fine but, being a habitual ISO:1600 maximum shooter, it was sluggish here. I did grab a good number of frames with it inside St. Giles’ and in fact, two of them are right here – but when I really struggled, the GXR’s completely unhindered sensor came into its own. Especially when the light became really difficult. Of course – shooting in mixed light with a full-spectrum camera makes things extremely tricky when it comes to colour reproduction but it’s forte is really black and white output anyway – so, I was in my element. Shutter speeds were almost twice as fast as the standard Fuji when my ISO and Av were the same. A nice little bonus when shooting hand-held indoors and, it certainly helped me in keeping a few frames a little less shaky, shall we say? 

As an aside, the X100T frames have a rather HDR look about them, which I am surprised at. After extremely minimal processing from RAW (RAF converted to DNG) and not even two minutes consideration I am, though I do not enjoy HDR images, very pleased with the results here – and the subject matter does seem to pop, rather nicely.  

*
II | Ornation. [GXR (TFS): 24mm – 1/25th – f4.0 – ISO:1600 – -0.3 – Matrix]

35chronicle.097 (3)

*
III | Yes, I Probably Looked a Right Berk Laying on my Back on the Cathedral Floor for this One – but, I Don’t Care! [X100T: 35mm – 1/13th – f2.8 – ISO:1600 – +0.7 – Matrix]

35chronicle.097 (2)

*

I hope you will enjoy these few frames, that you have a splendid Christmas, however you’re celebrating and, I hope to be here again with you before the New Year! 

Have a fabulous time, all! 

R.


HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Shifting Spaces | University of Aberdeen | 35:Chronicle

28mm, black & white, Indoor, photography, structures

The Sir Duncan Rice Library Atrium.


At the beginning of this week, I was fortunate enough to have made a very special visit and, my first, to Aberdeen. Having arrived during the middle of the afternoon, (and, at this time of year when the light begins to fade not long after 3pm) – photographing during the daytime on the city’s streets left me little time for captures. Leaving my tripod at home was probably not the best idea either, but as street photography was not my primary reason for visiting, I was quick to absolve myself. 

*

I.

35chronicle.087 (4)

*

One of the most beautiful places I was guided towards was the library at the city’s university. Primarily, I was told in no uncertain terms that I would fall in love with the view upwards from the ground floor of the Sir Duncan Rice Library. Laced with history, learning, awards and, aesthetic ingenuity and splendour, Kaine was absolutely right. And so, on foot, we made our way. 

*

II.

35chronicle.087 (3)

*

On arrival, the ground floor was a bustle of people and, I dodged many in order to selfishly occupy the space directly below the spiralling walkway that shrank as it ascended each of the seven floors above me. Continually, I moved around to capture this incredible structure from as many angles as I could before we had to leave, taking in the lighting and the tantalising lure of so many lines and curves. Coming from a countryside background to this, was – breathtaking. Whilst I can appreciate my natural surroundings in all of its splendour, there is something to be said for photographing outside of any comfort-zone that I most often find myself confined within. 

*

III.

35chronicle.087 (2)

*

My thanks go to Kaine for his expert guidance (especially given the time constraints placed upon him) in allowing me to make these (and other, yet to be posted) captures. I hope you will all enjoy these few frames which form only a small part of this incredible and, beautiful structure. 

*

IV.

35chronicle.087 (1)

*

(All images shot at 28mm, ISO 1600 & handheld).

*

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Back-lit Orchids | 35:Chronicle

black & white, close-up, colour, Indoor, nature, personal, photography

Is Three Really a Crowd?


Okay – forgive me, please! This is my third post on-the-bounce of the same photographic subject. I promise, I really was not intending to rip the arse out of this, however, the host plant from my last two posts was happily perched on my living-room window-sill, soaking up some of that gorgeous, bright stuff this afternoon – and, I just couldn’t resist a few casual frames of this beautiful plant. (Oddly, I have made some frames in colour today, that I am actually pretty happy with. Who’d have thunk it?!)

I’ll probably not be able to post again until almost the middle of next week, therefore, I’ll leave you with this smidgen of sunshine and, wish you all a fabulous weekend! 

R.

I.

35chronicle.086 (2)

*

II.

35chronicle.086 (3)

*

III.

35chronicle.086 (1)

*

[To view other posts in my recent series, please click the ‘orchid’ tag].

*

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Milkbank House | PT.IV | The VIS Collection | 35:Chronicle

black & white, Indoor, photography, ruins, structures

Everywhere, is Someone’s Happy Place.


Back in July this year, I posted the last of my three posts of Milkbank House, shot in 715 and 760nm infrared. In conjunction with the IR frames, I also made a good number of visible light shots during the same visit for black and white output and, intended to post these an awful lot sooner than this. These shots have been sat waiting for me in my ‘To Post” folder ever since I finished processing them. I hope, during the past three months, that they haven’t lost their relevance. 

*

I | Milkbank House – Front & Side Elevation.

35chronicle.082 (4)

*

II |  Milkbank House Entrance Porch.

35chronicle.082 (5)

*

III |  Milkbank House.

35chronicle.082 (2)

*

IV |  Milkbank House – Receiving Room.

35chronicle.082 (3)

*

v | Milkbank House – Stone Fireplace from the Side.

35chronicle.082 (1)

*

HOME A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS
Thank you for visiting. If you would like updates, please click Follow. All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com 
*

Closer Still(s) | PT.VIII | 35:Chronicle

35mm, close-up, colour, Indoor, nature, photography, spring

Spring Broom | PT.II of II.


Righto, this is the second of two posts (otherwise it gets boring!) containing shots that I made last week of the gorgeous red and yellow broom flowers that are in massive numbers at the back of my house right now. They truly are stunning little flowers and, though most of the shrubs are offering yellow flowers only, there is just one out of the entire lot of ’em that has given up these beautiful variations, the like of which I have not witnessed before. To look at them with the naked eye, they are not all that remarkable, however, when getting up-close and very personal with these 15mm or so flowers, they do take on a much more intricate character, if that can be said of a plant? 

*

IV. | 35mm w/Hoya +10

35chronicle.029 (3)

*

V. | 35mm w/Hoya +10

35chronicle.029 (1)

*

My macro / close-up set-up is pretty basic really and shooting only with a 35mm lens (which is not a macro-lens either) does make my choices very simple – I either can shoot what I envisage or, I can’t. It’s as simple as that. There are of course limitations but these only serve me to do my best to get more creative with what I do have in my bag. Yes, I have mentioned my little 49mm Hoya +10 Close-up filter a few times but I cannot stress how abso-bloody-lutely brilliantly useful that little filter is. Having spent countless thousands of pounds on photographic equipment over the many years I have been enjoying the art, it truly is a revelation to know that instead of forking out (and carrying around) more lenses, I have finally managed to put together a collection of three cameras and a few filters that even collectively weigh less than my last DSLR with it’s 50/1.4 mounted. Picky, I am indeed and I would be the first to be unhappy with my images if my chosen rigs weren’t producing the goods that I work towards – and the only duds I ever find are those reflecting my own mistakes. 

*

VI. | 35mm w/Hoya +10

35chronicle.029 (4)

*

I love these images and I am very happy to have made them – yet, though I don’t expect anyone else to share my utter enjoyment of them, I do hope that some will find a little pleasure in them. Such an understated plant and yet, so full of form and vibrance that I find incredibly appealing. To have these frames is a real pleasure for me because, very soon, the garden floor will be coated in a carpet of faded yellow petals and, the hedgerows? Well, they’re certainly going to be left wanting, aren’t they?

*

VII. | 35mm w/Hoya +10

35chronicle.029 (2)

*

Click for PT. I of II
As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
HOME
A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS

All Images & Posts © 35:Chronicle (2018, 2019) except where specified. No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

Internal Affairs | PT.II | 35:Chronicle

35mm, black & white, close-up, Indoor, personal, photography

It’s Still Life.


*
I.

35Chronicle.001 (86)

*

II.

35Chronicle.001 (85)

*
III.

35Chronicle.001 (14)-2

*

As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
HOME
A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS

All Images & Posts © 35:Chronicle (2018, 2019) No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

The Importance of the 35mm Focal-Length | 35:Chronicle

35mm, black & white, close-up, colour, Indoor, infrared, landscape, nature, personal, photography

The Most Versatile Focal-Length in the Bag.


The first lens I ever shot with was a 35mm, back in the day when I began making photographs with a film camera. In those days, zoom lenses had only been popular among casual shooters and enthusiasts for around ten years or so and my pocket was way too shallow to be able to afford anything more than my 35. So, it stayed with me and I made the best possible use that I could have with it. For over two years I used that same lens and the more I did, the more I loved it. It was almost as though I could predict how it would render, no matter what I was photographing; in essence, it’s frame-lines had begun to become branded into my brain, through my eyes. Of all the lenses I could have learned with, I am so relieved that my first lens was that 35. In later years I would come to prefer a 50 – a more natural focal-length for me, but whenever I spent time with this slightly longer lens, something often felt like it was missing. It took me years to figure out what that something was.

*

Horse-Chestnut Bud

35Chronicle.002 (21)

*

After saving (and hammering my credit card on occasion) I acquired a number of other lenses over time, G.A.S took a firm hold of my psyche and, I kind of got lost. Though I loved all of the choices I was giving myself, I was only becoming more confused as to the ends I was trying to reach. Telephotos and mid-long zoom lenses made me want to go out and shoot wildlife; wider lenses had me scouring locations for old ruins and run-down buildings and kit zooms, the standard nowadays being the trusty 18-55, shot everything in-between; which was in honesty, almost everything. But even the useful FLs of a kit zoom weren’t really doing it for me because the something that I missed was this: scene and subject interaction. In other words, I was beginning to feel like a casual observer of the scenes or subjects that I was trying to capture rather than as an integral part of it. To me, this felt like a crime given how much I love and always have loved photography, but not only this, I wanted to be close to or even inside my frame – I wanted to be a part of the creative process that I absolutely love so much rather than as a bystander or worse, a casual voyeur on the perimeter, casually making frames of a world, or a scene – that was passing me by.

 

*

Stumped | 720nm Infrared

35Chronicle.001 (17)

*

Shadowed

35Chronicle.001 (16)

*

It took me years to realise that I was killing my own creativity by trying so hard to cover every base by carrying way more glass than I could possibly need and, that no matter what lens I had mounted at a given time, I would always feel as though it was the wrong one, or, be at least concerned that it might not be the right choice at the time. Doing away with so much choice, essentially, does away with equal amounts of worry and concern. Furthermore, when we can make any and all possible images with any working lens, the only consideration needs to be how best to frame with that one chosen chunk of glass. To see in that focal-length and move around it and, through it, according to our own vision, whether unique or not. This does also mean that the legs get more use (particularly for prime glass) which in turn, puts me back in the centre of the process. But I hear cries and, they’re getting louder. They are cries of anguish and perceived enlightenment that are trying to tell me that I can’t shoot wildlife without a tele-lens, nor can I shoot wide landscapes or industrial frames without a decent wide lens. The 35 is neither one nor the other. So, what the hell am I doing? Well, I know these arguments well and I’ve been doing this a long time so, the ol’ saying about grandma proverbially sucking eggs may well be extremely relevant here. I don’t carry four or five kilos of gear any more and, I am still able to capture images that make me not only happy themselves, but also happy that I am back in the middle of my art. I simply had to revert to one main, workable focal-length and, get to know it again like I once did. The learning never stops but it’s amazing how quickly you can place yourself in the right spot for any shot when you only have to think in one perspective – the chosen prime perspective, that is. Before I have even lifted my viewfinder to my eye, I know where I need to be when an inspiration strikes. It takes away the guesswork, the trial and error, the faffing with lens-changes and the worry about crud getting inside the camera body. And yes, the bag is shedloads lighter and I can move about more freely, for way longer and, I don’t get home and reach for the Deep Heat anymore.

*

Submission

35Chronicle.001 (4)

*

Cherry Blossom

35Chronicle.001 (58)

*

The 35mm focal length is considered to be at the longest edge of the wide-angle lens concept. It is also regarded as being pretty close to the natural focal-length at which we humans see. Neither of these ideas do I argue with. In contrast, I believe that these two elements are what truly make a 35 the most versatile lens for the way that I shoot and make photographs. Here are just some reasons as to why a good 35 should be a definite consideration:

  • Not only do most if not all 35s focus pretty close, they have little if any distortion (providing you haven’t got a dud).
  • They are inherently sharp (usually, even wide open – I’ve used many and never had a soft shot at f2 that wasn’t my own stupid fault).
  • Primes tend to open up more than zooms (though if you have deep pockets and you want, need and can justify the purchase of that mean looking 18-600mm 1.0 constant (you get the idea?!) then go for it). A fast 35 is a total joy to use when the light levels dip. If you haven’t tried it – you should.
  • The costs are relatively a lot lower than for good or high-quality longer or wider primes (so, much cheaper to replace if you drop it from a height).
  • They are small, light, often very well constructed and a joy to use. Because of the size and weight, they really don’t get in the way of my thinking. It’s a tool. I trust it. It works. Make photographs. Move on and, stop thinking about the gear!
  • 35 is wide enough to capture life as it happens, socially, environmentally, intimately – back in the 70s and 80s it was pretty much the only lens used by press photographers and if ever a lens finds itself in a tough proving ground, that’s probably it, right there.
  • Construction is largely such that it remains reliable for many years of service.
  • It’s the best middle of the road lens (alongside a nice 50 prime, depending on how you ‘see’) for learning and capturing whatever you want.
  • Whatever single focal-length one chooses to befriend, the mainstay of all of these points apply. I simply feel that a 35 is the true Jack of all’.
  • I’ve shot weddings, portraits, land & waterscapes, close-ups & near macro, stills and fine-art, visible, full-spectrum and infrared, the lot. The 35mm FL has seldom if ever left me wanting. My ageing legs too, are grateful, because they get a reason to keep working that little bit harder than a slightly sedentary brain would usually require of them.
  • Bag: Light + Bank Balance: Healthier (potentially).

If you’re considering venturing into a single focal-length for the first time, choose wisely and justify your choice, stick with it and, persevere. The benefits of restriction will present themselves quickly and, your eye will improve with enough frames. If you’re not sure about which FL to plump for but can’t get the idea of self-limitation for the sake of freedom out of your head, just go for a 35, mount it, forget it’s there, and simply enjoy making pictures – for the sheer love of it.

*

Light & Love

35Chronicle.001 (21)

*

As always, thank you for visiting & if you would like updates, please click Follow. All images are resized for publishing.
HOME
A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS

All Images & Posts © 35:Chronicle (2018, 2019) No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. 35chronicle@gmx.com
Thank you.

After the Day | 35:Chronicle

35mm, black & white, close-up, colour, Indoor, nature, photography

Fireflies & Candlelight.


*

35Chronicle.002 (3)

*

HOME
A RATIONALE | LIGHT-WAVES | ARCHIVES | LINKS

All Images & Posts © 35:Chronicle (2018) No Copying or Redistribution of any kind is permitted without prior consent from the author, unless links to original work is clearly provided. Thank you.
*